Elvis Presley CD Reviews
Read all the latest Elvis Presley CD reviews.
By Mike Hermenet | By Tygrrius | By Thomas Melin | By David Adams | By David Troedson
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Celebrating Elvis's first motion picture - Follow That Dream
present 'Love Me Tender
' in the2-CD 7" classic soundtrack format
-- and its stunning audio and visual content is highly impressive. The sound here is warm, detailed and full on the soundtracks original EP recordings.
On September 4,1972 the UK Elvis Presley fan club flocked to Las Vegas to catch a glimpse of their hero -- and were NOT disappointed! 'Destination USA
' FTD 2-CD documents Elvis' Las Vegas 1972 summer season - and for many fans it was a once-in-a-lifetime trip to see the King ...
The concert found in this set is the full original length concert, and is precise, professional, and deadly, a testament to the Presley team being a well-oiled machine. As this Legacy Expansion reveals, far from being just another Elvis live record, 'Recorded Live on Stage in Memphis' is a little bit of dynamite, proof that on a good night in 1974, Elvis was still as good as rock 'n' roll got. This is by far the best sounding mix of this Memphis concert, it certainly sounds more like I would have imagined it to be at the actual show. This time completely remixed, no artificial echo, no fake applause. and everything is very well balanced.
There's a great moment
on CD-2 of the new FTD 'Moody Blue
' release - two fabulous rehearsals of the funky 'Way Down' start the disc - with Elvis and his band joking amid jamming and a throbbing bass guitar. Take 1 is reminiscent in feel to the funky jam intro to, 'I Got A Feeling In My Body' (Elvis At Stax
3-CD). After the first breakdown, Elvis say's: 'When Briggs fingers start bleeding' see, we know we've got it!' Ronnie Tutt's
thumping drums herald take 2A, followed by David Briggs
electric piano, and Norbert Putnam's supercool bass - fabulous! Again Ernst Jorgensen
and the Follow That Dream
team deserve credit for this magnum opus - 'Moody Blue' is the sound of the mature Elvis. Most highly recommended FTD release.
Follow That Dream's 'Elvis At American Sound Studio
' 2-CD opens a door to the remarkable 1969 Memphis recording sessions. As a stand-alone release it includes the remaining songs not originally available on the landmark FTD albums', Back In Memphis
' & 'From Elvis In Memphis
' ---> plus an additional thirty unreleased nuggets. Akin to admiring two beautiful paintings, and discovering a third--> a clever compile results in a pleasing listen which augments the stellar Memphis 1969 recording sessions trilogy with aplomb.
In twelve days, Elvis cut thirty-six sides at 'American Sound'. While the overdubs made the songs undeniably more commercial, had the tracks been initially released without them, the resulting albums might have been even more revolutionary, taking Elvis Presley's career in an entirely different direction. As Peter Guralnick observed on listening to the multiple takes of In The Ghetto
, 'As the song develops, one is provided with an incontrovertible glimpse of what the process might have been like for Elvis, if only he had been able to approach recording consistently as an art' ... in the undubbed form here we have Elvis as he could have been.
Sandwiched between Elvis' iconic return to Las Vegas in 1969, and the triumph of the 'That's The Way It Is
' documentary (1970) - 'On Stage Season
' FTD 2-CD captures Elvis in spectacular form during his live performances - and includes two complete soundboard shows in the best EVER quality from his 1970 Jan/Feb Las Vegas engagement. I've experienced deep joy listening to this OUTSTANDING FTD release, and have been reminded YET again by the QUALITY of Elvis' voice and performances, why I'm an Elvis Presley fan.
Big Boss Man
provides us with a complete concert (77 minutes of mostly unreleased material) plus eight bonus songs from Elvis' twelfth season in Las Vegas, 18th March - 1st April, 1975, a year that would have many highs and lows for the forty year old superstar. A valuable bonus inclusion is Elvis' only known recording of Bobby Darin's You're The Reason I'm Living - a true rarity, the song is charming and unrehearsed. The tracklisting provides a great overview of Elvis' return to live performances following a five-month absence. This CD is worth acquiring, as very few soundboards are available from this engagement. 'Big Boss Man' reveals a dedicated entertainer in strong voice doing what he loves best ... you will not be disappointed.
Previously unheard nuances are present throughout disc one and two and it's all been given an illustrious sonic sheen. It's all wrapped in a delicious box set with rare photos
(including: Elvis driving his white Blackhawk Stutz; Elvis and Linda Thompson driving golf buggy at Graceland, 1974; and various colourful 45 rpm single sleeves and covers for 'Raised On Rock', 'Promised Land', 'I've Got A Thing About You Baby' etc. It's an interesting booklet and with comprehensive liner notes). All things considered, ELVIS AT STAX is chockfull of gems - a veritable treasure-trove of his, utmost personal recordings, and totally essential
With Storm & Grace
, Lisa Marie Presley has created an extraordinary album!!! ... rich country, folk, and blues that showcase her fine, deep voice while firmly staging her music somewhere between country and pop ... an album that in one swoop restores contemporary significance to the Presley brand ... A true delight and one of the truly great albums!!! ... 'Storm & Grace' is replete with songs capable of becoming standards ... if she can follow this album up with equel quality she will establish herself as major recording artist.
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I just received the CD, Elvis February 1977, In Concert and not only can I confirm that Elvis is in good form, and the sound quality is top notch, it is indeed a very complete testament to the fact that Elvis still was king in 1977. Even is sporadic. Kicking off with a great version of 'Big Boss Man' [April 29] then in to February 21 starting with 'Are You Lonesome Tonight' while Elvis does forget the words it is another classic with Elvis' banter with Estelle of the Sweets. 'Reconsider Baby' shows he is still the best white blues singer. Moving on we have a ultra rare 'Moody Blue' and it is a good and full version, not a one liner. Audio Sample of this CD
FTD's 'Stay Away, Joe
' is a decent release buffeted in no small part by Jerry Reed's guitar work on the 1968 tracks. While most of the tracks have appeared before on various releases, this CD offers the opportunity to obtain them all in one package with uniform, pristine sound quality. While not essential, 'Stay Away, Joe' is certainly recommended to fans of these songs who might not have already collected key alternate takes.
Touching on all of the styles that shaped the one and only King – pop, R&B, country, gospel, and of course, rock and roll – Elvis at Stax chronicles some of his last truly great studio sessions. As such, it's another essential release as part of Legacy's streamlining and repackaging of his vast musical catalogue. When push came to shove, nobody took care of business quite like Elvis Presley.
Sounding almost like a multi-track recording, what's intriguing here is the FTD team seem to have sourced exceptional sound quality, with in particular the Tulsa show continuing to surprise with defined bass and instrument clarity ... [The upshot is the [Tulsa] show's mix is VERY balanced, belonging in the very top echelons of soundboard releases.] All things considered SOLD OUT ticks all the boxes: great soundboard sound - compelling liner notes and artwork - and unreleased shows to boot. Hans, Robert, Jan Eliasson at Audio Planet, and the FTD team deserve Much praise for this most excellent FTD release ...
Coming in the deluxe 7" packaging we've become accustomed to with FTD this release is another stunner. The sound quality is universally excellent throughout. Snap this one up, you won't be disappointed!
Elvis : Peace In The Valley
(The Complete Gospel Recordings) is a long overdue triple CD release. In 1994 we were treated to the excellent double album 'Amazing Grace' and more recently to a number of good (if forgettable) mid-price gospel albums. This set is a fitting testament to an often under-appreciated segment of Elvis' incredible musical legacy. Many fans will be surprised at the breadth of tracks on this release.
's version of Good Times
turns out to be a fine upgrade of the original album, truly capturing the spirit of a collectors label by bringing the original cuts together in pristine sound quality along with tons of additional takes. Ten years in, FTD seems to have hit its stride, and its Classic Album
series has become essential.
Nevada Nights is an excellent FTD double delight and a chance for fans to obtain these shows in the best sound. The sound features Elvis sort of somewhat up close, up front sort of between Fort Baxter and the DAE sound - listenable and warm to the ear ... A great release!. This review, originally published in 2008, we present to you again as it contains many unique songs along with dialogue from Elvis, making it an essential part of any fans collection ... This first CD features the famous opening night : August 19, 1974, where Elvis departed from the conventional opening - not starting with Also Sprach Zarathustra or See See Rider - instead opening with Big Boss Man - and including many songs he had not performed live before.
If you are old enough to remember the original broadcast of Elvis Presley's Aloha From Hawaii Via Satellite, then it is a safe bet that you are over the age of 40. It was almost exactly 40 years ago that the huge event was first shown on American television, on April 4, 1973. [With the live broadcast to much of the rest of the world on January 14, 1973] To celebrate this momentous anniversary, RCA Legacy have just released the double-CD commemorative package of Aloha From Hawaii Via Satellite.
There is no question that this is the definitive edition, and Elvis Presley was absolutely in top form on both nights. For the curious, Aloha From Hawaii is not a bad place to start to see for themselves just what all the fuss was (and remains) all about.
Why can't all music releases be this good? Sony/RCA/Legacy have come up trumps with Prince From Another Planet - an Elvis release which celebrates The King's only New York concerts, in Madison Square Garden in the summer of 1972. What most impresses about this set is the packaging. The care and attention that has gone into creating an eight-inch square slipcase, (with the original design respected) a six panel gatefold wallet holding the discs (again with superb artwork) and a 52-page booklet that is everything you want to accompany an archival release - fantastic photography, reproductions of original newspaper reviews, an absorbing essay ... The CD audio in this deluxe edition has been remixed by Michael H. Brauer (mastered by Vic Anesini), the idea being to put the listener in row four of the audience, right in front of the performance ...
On first opening Prince From Another Planet
' I was first surprised and then delighted by what I found. While the layout images presented prior to release were very good I was expecting a large 'digi-pack', and while that would have been very nice, the 'box set' presentation that Sony have clearly gone to a lot of trouble to produce is something extra special. Now the important stuff : How does it sound?
This concert has been a pleasure to repeat listen too. Thus I must recommend I'll Remember You, not really for any content (as it's the same as Aloha From Hawaii) with 'Until its Time' swapped from 'Burning Love' and it is an extremely short show too, but for the sound quality clear throughout!
Review of the FTD release, Back In Memphis
, by Troy Yeary. When I first heard the original 'Back In Memphis', over twenty years ago, I was surprised by my disappointment. After listening to this expanded FTD release of the album, I am surprised yet again. Not by disappointment this time, but by how much I enjoyed it.
Receiving both the Follow That Dream CDs, Back In Memphis and 3000 South Paradise Road on Friday I would have thought that 'Back In Memphis' would have been first into the CD player but possibly taken by the stunning artwork I decided to play '3000 South Paradise Road' and I found that it not only contains a brilliant performance by Elvis but quality sound to match, which in particular did more than surprise me. This is a unique performance by Elvis with stand out songs, What Now My Love, My Way, An American Trilogy and Fever ... of particular interest are Elvis' comments after My Way, where he says 'that's a very good song ... I wouldn't want to associate it with my own personal life ... now the end is near and all that jazz... it's a nice song, it's okay for Sinatra but ... I haven't even ate it up and spit it out yet, still chewing on it ...
It seems like every great artist has at least one album in their catalogue that is universally ignored due to the greatness of the album that proceeded it. January and February of 1969 is a month that occupies a special place in rock history, specifically 6 days in January and 5 days in February.
treatment of Elvis Sings The Wonderful World Of Christmas
, released this month with the help of outtakes not being overdubbed in any way ... reveals a more intimate and sensitive side of the Christmas recordings that took place in Nashville during two nights in May, 1971. When released on the original album back in 1971, Felton Jarvis had just about used every trick in the book when it came to making overdubs on If I Get Home On Christmas Day
, adding strings, horns and a lot of backing vocals, creating what I like to call a 'bombastic Elvis sound'. Listening to the alternate takes, especially the early ones, you can almost be fooled into thinking it's another song, it sounds so much more intimate. Read the review and view cover art
A Man From Elvis Presley Boulevard : A Review of the new FTD album 'From Elvis Presley Boulevard' by Troy Y.
Elvis Sings The Blues ... is a perfect combination making for one very nice listening experience ... The producers of this release also clearly recognized that it was going to be something special and have produced a stunningly beautiful three panel digi-pack, the front cover is ART and it fits the theme perfectly, as does the disc which while not a 'picture disc' as such there has clearly been much though and work put into the design. In addition on opening the flap you will find excellent liner notes ... A wonderful release of the 'classic' 1980 LP done to perfection like no other label can ... This is a limited edition digipack of 500 copies.
Immediately on hearing the first song I played [I started with disc 2] from the 'A Boy From Tupelo' set, [Harbor Lights] I just instantly felt - knew - I was hearing something for the first time, something very GOOD.
with more thoughts
after continued listening, along with other input
, and feedback
Yesterday, [August 25] Sony Music Australia's Elvis By Request: The Australian Fan Edition arrived here - so I thought I'd take a few moments to present a brief review. Worldwide, but with a special emphasis on Australia, fans were able to select from over 800 Elvis performances in online voting earlier this year. The ranked results of that voting determined the contents of 'Elvis By Request', 40 songs spread over two CDs.
Despite performing more than 1,000 shows between 1969-1977, there are several concerts which stand out among Elvis fans for one reason or another. One of those concerts was a one-time only performance in Boston during the fall of 1971. For many years, this historic and rare concert made the rounds on the import release circuit in varying degrees of sound quality. But thanks to the good folks at the 'Follow That Dream' (FTD) Collector's Label, Elvis fans can now enjoy the ultimate release of this fine performance.
One of the most interesting things to hear as you listen to these performances is the confidence that Elvis clearly gains with each appearance, becoming more assertive and aggressive as he performs for the fans. Along with Elvis' increasing level of comfort, it's also interesting to hear the fan reactions with each subsequent appearance. From polite applause for his first appearance to outright pandemonium by the time he gave his final performance, listeners can clearly hear the increased excitement that Elvis caused ... The CD also contains the recent discovery of Elvis' last performance on the Louisiana Hayride
in December 1956 as released on Sony's Young man With The Big Beat
. This will be a more complete version of the show and for the first time, be speed and pitch corrected
, which Sony has failed to master for their release
After hearing The 8th Wonder Of The World CD from Venus we can now tell you that indeed the sound quality is certainly better, even more clear than Madison’s outing and the packaging is much better. Te unique aspect of this concert in the huge Houston Astrodome is this that it is without an orchestra.
So it's pure Elvis with his band. taken from a first generation sources claimed!!!!
In 1979 Joan Deary
had an idea for a unique concept album. The idea was to release an album featuring Elvis' recordings stripped down to basics ... the 'Pure Elvis Sound'. Many fans had commented that Elvis' later recordings suffered from too much overdubbing or 'sweetening', often causing Elvis' vocal performances to be buried beneath lavish, often over-the-top orchestral productions.The 'Our Memories Of Elvis
' series has been long out of print. But now, thanks to the good folks at Follow That Dream (FTD) Records
, Elvis' fans can stroll down memory lane once again with their release, 'Our Memories Of Elvis': Volumes 1, 2 & 3.
... For all of these reasons, and many more which I could spend all day talking about: Promised Land is now my all-time favorite Elvis album. It has taken almost 35 years to get here, but it was well worth the wait! ...
In early 1975, despite Elvis' clearly fading desire to record new material (he hadn't recorded a new studio album since 1973), Elvis managed to step up to the challenge one more time. Elvis Today, released in 2005 by the Follow That Dream (FTD) Collector's Label provides fans with 2-CD's packed with all of the known material recorded between March 10-12, 1975 for the Today album in their Classic album series.
Harley Payette explains why he thinks that the I'm 10,000 Years Old : Elvis Country' album 'tells us as much about the man who created it as anything he ever did'. In January 1971, RCA records slipped its latest Elvis Presley LP on the market, not two months after the previous one. That record, 'I'm 10,000 Years Old: Elvis Country', the singer's 30th of original material (excluding live collections, compilations and greatest hits sets), wasn't just another Elvis LP. It was an honest to gosh concept LP. The songs were not only linked stylistically and thematically, but all the performances were linked by splices of a song interspersed between each number. Even the cover wasn't the usual head shot of a smiling Elvis, concert pose, or movie still. In their place was a sepia toned photo of a very familiar looking young boy, Elvis Presley aged two.
Before looking at the actual 'Elvis Country'/'Love Letters' albums I would like to address this particular release, the Legacy Edition, as the albums are currently available in more than one format. And also a brief look at the other titles released in the series so far. This is because I had my doubts about this release.
I sometimes 'cheat' when I receive a classic album from FTD, playing the second disc with the outtakes first. Elvis (Fool) was no exception. I love the feeling of 'being thrown' into the studio, and this time around the first thing I heard was James Burton
and Chip Young picking out the intro to '(That's What You Get) For Lovin' Me
' and Felton Jarvis
asking drummer Jerry Carrigan something about which cymbal he'll use ...
The Promised Land album is indeed a classic but by including the alternate album and 'the making of' – it's now widescreen ... To sum up, Elvis took us on a trip to the promised land that's one hell of a ride ...
Our focus today is Forty-Eight Hours To Memphis : Recorded Live On Stage In Richmond, Virginia : March 18, 1974
, one of the latest CDs from Sony's Follow That Dream Records
. The Forty-Eight Hours To Memphis title reflects that Elvis closed out his tour two days after this Richmond concert with a show in Memphis - portions of which became the 1974 album Recorded Live On Stage In Memphis.
If you believe some fans, surely we've already heard enough 1969 Las Vegas concerts. Now that Live In Vegas: August 26, 1969 Dinner Show is available from FTD, let's take a closer look at their claims.
The Special Delivery : The Ultimate Elvis Presley Collectors Box contains an unbelievable soft cover book promoted in the pre-publicity as a 'unique 60-page Elvis & Priscilla Wedding Album', while I felt sure this was going to be the highlight of the box set I was not prepared for how comprehensive it is, and I must admit I did not know there where so many high quality photos of Elvis and Priscilla's Wedding available.
I would like to say the MRS
/ JAT Productions
release of The Complete Louisiana Hayride Archives 1954-1956
CD is a dream come true but I can't as there was no anticipation something like this would ever be released. For years now we have had the basic el cheapo compilation of the basic tracks but now we have a full CD with a running time of over 75 minutes that gives a very good overview of Elvis in concert in the 1950s.
Here we have an excellent review of Elvis' Grammy award winning album and the latest FTD release, He Touched Me : FTD Special Edition 2 CD
by Thomas Melin
/ Elvis Today for you : and watch for a joint review by Thomas and Troy Y. (Tygrrius) of '48 Hours To Memphis' coming soon to a great website near you! :-)
I've just finished listening to the new Venus release - 'Unedited Masters : Nashville 1970' and what a treat it is! Continuing the same theme as their last release 'Unedited Masters : Stax 1973' this contains mainly overdubbed masters in exceptional sound quality, which were either edited or faded for their official releases but are heard here for the first time in their entirety. All in all another winner from the Venus label ...
The G.I. Blues : The Cafe Europa Sessions 4 CD Deluxe Set
lived up to the pre-release publicity, in fact MRS sold themselves short in their description of the set !!! Cafe Europa is genuinely like a hardcover book
with proper binding ... Putting the book 'aside', the four CDs contain nearly 4 hours of Elvis' officially UNRELEASED studio takes from the 'Café Europa' sessions, recorded for the movie ultimately titled G.I. Blues. The audio contained here includes the master recordings from the original soundtrack album 'G.I. Blues' plus, hours of alternate takes of all songs, with all the Elvis studio banter intact and, instilling new insight and live atmosphere into the complete making of this historic movie soundtrack.
Video audio preview.
The first two discs
(40:21 and 54:51) included the remastered versions of the albums 'Elvis Presley
' and 'Elvis
', as well as 15 songs released as singles. Instant classics were 'Blue Suede Shoes', 'Heartbreak Hotel', 'My Baby Left Me', 'Lawdy, Miss Clawdy', Hound Dog', 'Don't Be Cruel', 'Any Way You Want Me' and 'Love Me Tender'. The non-hits are very worthwhile too. This set shows Presley was very good from the start, no matter what type of music he performed. She can see traces of his future religious music in 'I'm Counting on You' and movie soundtrack sin the jaunty 'Let Me'. He even is masterful on 'Old Shep', a weeper about having to put his old dog down, but being unable to do it. (In one of the interviews, Presley reveals that 'Old Shep' was the first song he ever performed in front of an audience.)
Read the review
Buy The box set
Here we have two Reviews of Rebooked and at the International
... we get superb sound
and more of a concert feel with much Elvis dialogue originally cut - here for the first time. ... I am incredibly glad I took the plunge and invested in this release. The content (released and unreleased) is top notch and presented well, and great care was obviously taken in packaging, graphic design, and acquiring rare photos (and excellent sources for them). They don't come around like this every day. This is a release worthy of the engagement it represents. '... you won't listen to the Sony 'On Stage' release ever again after hearing this ...'