Elvis Presley Articles by Thomas Melin
Read the latest articles about Elvis Presley by Thomas Melin.
Ever since Good Times
was released by the Follow That Dream
label two years ago I've been looking forward to Promised Land
getting the classic album
treatment as well, and earlier this month it finally arrived. After listening to the two CD's packed with alternate takes and interesting studio dialog as well as some rehearsals and undubbed masters, I can say that it was definitely worth the wait.
Our focus today is Forty-Eight Hours To Memphis : Recorded Live On Stage In Richmond, Virginia : March 18, 1974
, one of the latest CDs from Sony's Follow That Dream Records
. The Forty-Eight Hours To Memphis title reflects that Elvis closed out his tour two days after this Richmond concert with a show in Memphis - portions of which became the 1974 album Recorded Live On Stage In Memphis.
In the 'Behind the scenes' section of the booklet accompanying Elvis (Fool) it states that the original LP 'is in essence an album of leftovers'. I guess the same can be said when it comes to 'Elvis Now', although to a lesser extent. But the FTD treatments of these two albums are essential, as they together include outtakes of all the non gospel and non Christmas songs Elvis recorded during the March–June 1971 Nashville sessions. Buy Elvis (Fool) : FTD Special Edition 2 CD
you won't regret it!!!
Unlike Elvis' first two religious albums, His Hand In Mine
and How Great Thou Art
, his third and last one, He Touched Me
, was a mix of traditional gospel and more contemporary Christian music. Recorded in Nashville in March, May and June 1971, the recently released FTD treatment of the album opens the door to RCA's Studio B to let us experience these recording sessions first hand. It makes for a fascinating visit.
treatment is Elvis Sings The Wonderful World Of Christmas
, released this month with the help of outtakes not being overdubbed in any way ... reveals a more intimate and sensitive side of the Christmas recordings that took place in Nashville during two nights in May, 1971. When released on the original album back in 1971, Felton Jarvis had just about used every trick in the book when it came to making overdubs on If I Get Home On Christmas Day
, adding strings, horns and a lot of backing vocals, creating what I like to call a 'bombastic Elvis sound'. Listening to the alternate takes, especially the early ones, you can almost be fooled into thinking it's another song, it sounds so much more intimate.
Interview with Per-Erik 'Pete' Hallin about Elvis Presley and gospel by Thomas Melin. Per-Erik Hallin
sang and played piano with Elvis Presley in 1973
(when he was Voice's piano player