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Elvis Presley CD Reviews
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It was July 31, 1969, and Elvis Presley was all keyed up. It was opening night at the International Hotel in Las Vegas, and he was about to give his first full concert appearance since 1961. In June 1968, he'd taped four shows before a live audience for his television special, Elvis, but that had been in an intimate setting, not a 2,000-seater showroom. And there would be no opportunity for any retakes tonight. It was make-or-break time.
For many years, a release of Roustabout
in Follow That Dream
Records' (FTD) classic albums
series was an often-made request that the label finally filled in July of 2017. One of the possible reasons why this definitive edition of the soundtrack album took so long to release was the possibility of more outtakes to appear after the early 2000s discovery of the previously unreleased alternate title song 'I'm a Roustabout' that was initially released on the 2003 compilation album 2nd to None. Nothing new has turned up since then, though, and the number of surviving outtakes for Roustabout remains relatively small. To make up for the lack of material, FTD chose to expand the album with newly remixed outtake versions of all eleven master takes.
Elvis was in fine form on this hot August night on August 25, 1969, a performance perhaps never to be beaten. This concert is arguably the best live recording of Elvis Presley in 1969, and is one of the best concerts Elvis Presley ever performed - both in sound quality and performance! All that is left then is to say then is - buy 'Elvis Live 1969' and enjoy this concert along with 10 other great performances, Elvis style.
Celebrating Elvis' first motion picture - Follow That Dream present 'Love Me Tender' in the 2-CD 7" classic soundtrack format -- and its stunning audio and visual content is highly impressive. The sound here is warm, detailed and full on the soundtracks original EP recordings.
With Elvis reciting the same stage patter nearly word-for-word in each of the 11 concerts, it's these gaffes and unexpected moments that keep 'Elvis Live 1969' from becoming just an overly repetitive entry for Elvis completists. Instead, the box set serves as a snapshot of a world-class entertainer successfully but gingerly rediscovering the magic that made him so in the first place. 'Suspicious Minds', then just a week or so into its life as a single, is majestic, with Elvis possessed by the pounding rhythm of drummer Ronnie Tutt. The gig is the same one during which Elvis comes to pieces in 'Are You Lonesome Tonight?' supposedly tickled by Sweet Inspirations singer Cissy Houston's ability to keep on singing, unfazed, while Elvis goes further and further off the rails. Still frazzled, he screws up 'Rubberneckin' immediately afterward and asks the band to restart the tune a full 45 seconds in.
The I'm 10,000 Years Old : Elvis Country' album 'tells us as much about the man who created it as anything he ever did'. In January 1971, RCA records slipped its latest Elvis Presley LP on the market, not two months after the previous one. That record, 'I'm 10,000 Years Old: Elvis Country', the singer's 30th of original material (excluding live collections, compilations and greatest hits sets), wasn't just another Elvis LP. It was an honest to gosh concept LP. The songs were not only linked stylistically and thematically, but all the performances were linked by splices of a song interspersed between each number. Even the cover wasn't the usual head shot of a smiling Elvis, concert pose, or movie still. In their place was a sepia toned photo of a very familiar looking young boy, Elvis Presley aged two.
'That's The Way It Is
' and 'Elvis Country
' were two of the most artistic albums in Elvis' career. What makes them special, is a true concept behind the selection of the songs. 'Love Letters
' could not live up to this high standard, since it was a strange mixture of songs, that could not make it on the 'TTWII' and 'Country' releases in the first place, for reasons of available time, quality or strategy.
Good Times marked the second album released from Elvis' 1973 sessions at Stax studio in Memphis. This version from the Follow That Dream collectors label includes all ten tracks from the original album and thirty-seven additional tracks of alternate takes and undubbed masters. FTD's Classic Album series
serves as the best possible format for this album, with sound quality in most cases as good or better than previous releases. FTD's version of Good Times
turns out to be a fine upgrade of the original album.
Sandwiched between Elvis' iconic return to Las Vegas in 1969, and the triumph of the 'That's The Way It Is
' documentary (1970) - 'On Stage Season
' FTD 2-CD captures Elvis in spectacular form during his live performances - and includes two complete soundboard shows in the best EVER quality from his 1970 Jan/Feb Las Vegas engagement. Follow That Dream
offer a double whammy of historic 1970 shows by including both the opening and closing shows from the Jan/Feb Vegas engagement.
There's a great moment on CD-2 of the new FTD 'Moody Blue
' release - two fabulous rehearsals of the funky 'Way Down' start the disc - with Elvis and his band joking amid jamming and a throbbing bass guitar. Take 1 is reminiscent in feel to the funky jam intro to, 'I Got A Feeling In My Body' (Elvis At Stax
3-CD). After the first breakdown, Elvis say's: 'When Briggs fingers start bleeding' see, we know we've got it!' Ronnie Tutt's
thumping drums herald take 2A, followed by David Briggs
electric piano, and Norbert Putnam's supercool bass - fabulous! Again Ernst Jorgensen
and the Follow That Dream
team deserve credit for this magnum opus - 'Moody Blue' is the sound of the mature Elvis. Most highly recommended.
Well FTD has indeed well represented this tour and typically deliberately 'cut out' any solo performance by Elvis' backup singers! The Bonus tracks make the 76 minute running time more generous than has been the case in the past and Elvis looks and sounds as if he's enjoying himself.
If you believe some fans, surely we've already heard enough 1969 Las Vegas concerts. Now that Live In Vegas: August 26, 1969 Dinner Show
is available from FTD, let's take a closer look at their claims.
Unlike Elvis' first two religious albums, His Hand In Mine
and How Great Thou Art
, his third and last one, He Touched Me
, was a mix of traditional gospel and more contemporary Christian music. Recorded in Nashville in March, May and June 1971, the recently released FTD treatment of the album opens the door to RCA's Studio B to let us experience these recording sessions first hand. It makes for a fascinating visit.
In the 'Behind the scenes' section of the booklet accompanying Elvis (Fool) it states that the original LP 'is in essence an album of leftovers'. I guess the same can be said when it comes to 'Elvis Now', although to a lesser extent. But the FTD treatments of these two albums are essential, as they together include outtakes of all the non gospel and non Christmas songs Elvis recorded during the March–June 1971 Nashville sessions. Buy Elvis (Fool) : FTD Special Edition 2 CD
you won't regret it!!!
August 10, 1970. The MGM camera crew has been following Elvis around for almost a month now. This afternoon, it's time for one final rehearsal before the opening show later tonight. No camera crew allowed this time, but RCA is rolling tape in preparation for the concert recordings. Follow That Dream
Records' latest release, Stage Rehearsal
, takes us behind the scenes of this event.
Despite performing more than 1,000 shows between 1969-1977, there are several concerts which stand out among Elvis fans for one reason or another. One of those concerts was a one-time only performance in Boston during the fall of 1971. For many years, this historic and rare concert made the rounds on the import release circuit in varying degrees of sound quality. But thanks to the good folks at the 'Follow That Dream' (FTD) Collector's Label, Elvis fans can now enjoy the ultimate release of this fine performance. Despite the arguably poor quality of the packaging, the main attraction of Boston Garden '71 is clearly the concert performance. Although Elvis only performed once in the city of Boston, he did so with gusto! Thanks to the fine folks at FTD, Elvis As Recorded At Boston Garden '71 is a testament to the true concert genius of 'The King of Rock n' Roll' .. (and) a damn-near perfect Elvis concert!
Review | 'Glen Campbell Sings For The King' CD. Back in 1964, Elvis Presley was busy making movies, three that year including Kissin' Cousins, Viva Las Vegas, and Roustabout. That said, Presley was recording and releasing singles, including 'Viva Las Vegas', 'Kiss Me Quick', and 'Ain't That Lovin' You Baby' to modest sales. He was looking for a hit. At that time Glen Campbell was best-known for his work as a studio musician as part of the Wrecking Crew, who played on a slew of hits. He met Presley during the taping of the Viva Las Vegas soundtrack.
Experiencing relatively complete shows like this one, when Elvis was in top form, means a lot to me. This is FTD's best concert release to date
, and I'll be enjoying this show for years to come. Sit back and enjoy Elvis' August 13 Dinner Show, the sixth and final show that RCA recorded for That's The Way It Is
As you can tell, most of the songs on Elvis Sings Memphis, Tennessee are top-notch recordings that deserved better than being used as B-Sides and album fillers. If you think of 1963 and 1964 as wasted years in Elvis' recording career due to the movie soundtracks, then this album may come as a revelation to you. Despite the movie tunes, Elvis was also busy cranking out great material in Nashville.
When Elvis Presley entered the studio in June 1970, he did so as a man enjoying an unexpected third-act peak. The NBC TV special
- the '68 Comeback
- his record-breaking live return in Las Vegas, and a batch of sessions at Memphis' American Sound Studio
resulting in the acclaimed From Elvis In Memphis
album had successfully reinvigorated his career after a decade of artistic and commercial decline. Elvis arrived at RCA Studio B in Nashville wearing a flamboyant black cape and carrying a lion's head walking stick. His business, though, is to reconnect with the long-lost roots of his music; to create a remarkable album, Elvis Country
. 'I was wondering', he says, 'if any of you guys would like to help me make a few phonograph records?'
... If, on the other hand, you are an Elvis fan who has not been exposed to this material very much before, then you are in for a real treat. Between the two discs on this Elvis In Person Special Edition 2 CD set, you will have at least one version of every song released from this engagement thus far. Sit back, crank it up, and enjoy!
... For all of these reasons, and many more which I could spend all day talking about: Promised Land is now my all-time favorite Elvis album. It has taken almost 35 years to get here, but it was well worth the wait! ...
Though That's The Way It Is eventually became my favorite album, it had to grow on me over the years. Though often overlooked, That's The Way It Is contains some of the best songs and performances of his entire career ... this 2008 re-issue turns out to be a must-have for serious fans ... This is the definitive look at the That's The Way It Is portions of the June 1970 Nashville sessions. Plus, this edition pulls everything together in one nice package. It has improved sound quality on a number of the previously released alternate tracks.
'The Jungle Room Sessions
', the 4th volume from the Follow That Dream
label. And let it be said loud and clear from the start, that it was indeed worth the wait as this is a magnificent album and by far the best Follow That Dream release so far. The album contains all the songs recorded by Elvis in his final two studio recording sessions, which took place in the so called Jungle Room at Graceland (hence the title) on February 2-7 and on October 29-30, 1976, which were originally released on the albums From Elvis Presley Boulevard
and Moody Blue
. Sixteen complete songs plus one instrumental track plus a little, or perhaps more like a very big surprise! Of the sixteen complete tracks, thirteen are previously unreleased, alternate takes, and as such without overdubs, which in this case makes a very big difference.
Here is a comprehensive review of the 'Elvis: The Viva Las Vegas Sessions' 3 CD Boxset (in slipcase).
Perhaps the best part of FTD's 'Elvis Now' is that every song sounds better than it ever has before. If you love Elvis in the 1969 - 1971 era represented by this album and care about audio quality, you will be thrilled with these sound upgrades - particularly on the master takes. Kudos to FTD for much improvement in this area over the years. 'Elvis Now' is a different kind of listening experience than that of 'From Elvis In Memphis' or 'That's The Way It Is'. While those two albums are monumental, their greatness should not take away from the understated achievement that 'Elvis Now' represents.
Review of the FTD release, Back In Memphis
, by Troy Yeary. When I first heard the original 'Back In Memphis', over twenty years ago, I was surprised by my disappointment. After listening to this expanded FTD release of the album, I am surprised yet again. Not by disappointment this time, but by how much I enjoyed it.
Verdict: Two long blasts on the train whistle (highest rating).
Follow That Dream
's 'Promised Land
' completes the STAX trilogy and the 2-CD version is a welcome addition to the growing catalogue of collectors releases. The Promised Land album is indeed a classic but by including the alternate album and 'the making of' – it's now widescreen (so to speak) ... To sum up, Elvis took us on a trip to the promised land that's one hell of a ride ...
Once again, with 'Elvis On Stage
', the FTD team has taken material, which was seemingly thought by many fans to be nearly perfect when last released on the main RCA/Sony label as part of their 'Legacy Edition' series in 2010, and improved it yet again. The results are arguably one of the best 'Follow That Dream Classic Album
' releases on the FTD label ever and quite possibly one of the best Elvis albums ever!!
In 1979, RCA Records producer Joan Deary
had an idea for a unique concept album. The idea was to release an album featuring Elvis' recordings stripped down to basics ... the 'Pure Elvis Sound'. Many fans had commented that Elvis' later recordings suffered from too much overdubbing or 'sweetening', often causing Elvis' vocal performances to be buried beneath lavish, often over-the-top orchestral productions. With these over-dubbed recordings in hand, Joan went back into the recording studio and the result ... 'Our Memories Of Elvis
' was born. Unfortunately, the 'Our Memories Of Elvis' series has been long out of print. But now, thanks to the good folks at Follow That Dream (FTD) Records
, Elvis' fans can stroll down memory lane once again with their release, 'Our Memories Of Elvis': Volumes 1, 2 & 3.
Elvis Presley probably spent more time in front of a movie camera than any other rock star of his era. He made young rebel melodramas, breezy musical comedies, and concert films-and that's not even counting his hours and hours of appearances on TV variety shows. Yet there's never been an Elvis picture quite like HBO's two-part, three-and-a-half hour Elvis Presley: The Searcher
. Ostensibly a documentary spin on author Peter Guralnick's comprehensive, analytical biographies 'Last Train To Memphis' and 'Careless Love', director Thom Zimny's
film isn't about Elvis the icon so much as it's about Presley the person.
This 'Elvis On Tour' Deluxe | 9 CD | Hardcover Book boxset set contains 4 concerts, 'Hampton Roads', 'Virginia' (Richmond), 'Virginia' (Greensboro), and 'San Antonio' on 4 CDs, plus 4 CDs of rehearsals and 1 CD of interviews with Elvis. The concerts, with one exception ('Hampton Roads'), are Stereo. And the rehearsals, again, with one exception ('Buffalo'), are Stereo. The interviews are mono. It is true, 'Elvis On Tour' has been given a complete lack of attention by both Sony and Warner. It is indeed a shame that so few quality releases have emerged. But now thanks to Amiga with this deluxe package, this is no longer the case. Stunning Design and Production | So many photos I have not seen before - it is just a dream | A good 120 pages of photos and information | Great sound | Quality throughout.
treatment is Elvis Sings The Wonderful World Of Christmas
, released this month with the help of outtakes not being overdubbed in any way ... reveals a more intimate and sensitive side of the Christmas recordings that took place in Nashville during two nights in May, 1971. When released on the original album back in 1971, Felton Jarvis had just about used every trick in the book when it came to making overdubs on If I Get Home On Christmas Day
, adding strings, horns and a lot of backing vocals, creating what I like to call a 'bombastic Elvis sound'. Listening to the alternate takes, especially the early ones, you can almost be fooled into thinking it's another song, it sounds so much more intimate.
Elvis Presley: 'A Boy From Tupelo': The Complete 1953-55 Recordings is a fantastic set! The Sun masters have never sounded better. You can really hear Elvis' rhythm playing on this set, and Bill Black's bass is more defined. Some of the live material sounds like it was recorded yesterday; however, there are a few tracks that are sub par because of the age of the source tape. But, it's still cool to own the stuff and necessary for Elvis fans, especially if you're like me and think his Sun material is tops. The three CDs are the products of 1,500 hours of restoration work and nearly 200 hours of additional studio time devoted to the remastering of the material. Of special interest is the inclusion of 'I Forgot To Remember To Forget', a newly discovered track from The Louisiana Hayride on October 29, 1955 and we have it here in fantastic sound quality ... transferred from the original 'wire-recorder'.
Think of the 'A Boy From Tupelo - The Complete 1953-55 Recordings'
three-disc set as The Rise of Elvis Presley: The Granular Detail Version. The fabled personal recordings young Presley paid Sun Records $3.98 to make are here. The very early singles are all represented as well – and they've been put through a magical audio scrubber and buffed to diamond clarity. The set includes every available studio outtake, and some choice banter between takes. Naturally there are live performances, among them a rousing (and previously unissued
) 'I Forgot To Remember To Forget' from a 1955 Louisiana Hayride radio broadcast.
Let's take a look at 'Elvis Studio Sessions '56' and see how it compares to RCA's 'Young Man with the Big Beat' and Follow That Dream
Records' releases. All in all, 'Studio Sessions '56: The Complete Recordings
' is another fine release from Memphis Recording Service that can be recommended to anyone who wants all of Elvis' 1956 studio recordings collected in one place and presented in a nice way. It is also a great companion release to RCA's boxed set 'Young Man'
(and especially the 2014 European reissue that has almost the same book format as this release) as it includes material not included on that release.
Elvis : Peace In The Valley
(The Complete Gospel Recordings) is a long overdue triple CD release. In 1994 we were treated to the excellent double album 'Amazing Grace' and more recently to a number of good (if forgettable) mid-price gospel albums. This set is a fitting testament to an often under-appreciated segment of Elvis' incredible musical legacy. Many fans will be surprised at the breadth of tracks on this release.
Sony has done some outstanding reissues featuring Elvis, including taking some chances with the King. This 'new' Elvis Presley album includes the King singing lovely with his backing band at the time with newer overdubs by the Royal Philharmonic Orchestra. This is the second time this has been done, telling me people are digging it.
I found myself really liking the first album, 'If I Can Dream
', simply for the fact they cherrypicked some of El's best vocal performances and added simple, organic and extremely tasteful snippets of the Royal Philharmonic. The results were surprisingly good, with the string arrangements totally unobtrusive to the main instrument, being Elvis' voice. 'The Wonder of You
' focuses less on El's big, well-known hits for '70s material featuring the master soul-mining newer pop material, and, many times, far surpassing the 'original' versions. Elvis' band at the time was top-notch in the studio, so that was an important element for this to work. Well-recorded and mixed, the songs stand by themselves.
1976 was a turbulent year for The King of Rock n' Roll. His continually declining health coupled with a hectic touring schedule resulted in a very up and down quality to his shows throughout the year. Coming off the summer portion of his touring schedule, where he endured numerous mediocre concert reviews, Elvis kicked off his 8th tour of 1976 with a 2-night engagement at the Chicago Stadium in the 'Windy City' of Chicago, Illinois. Did the 35-day vacation between tours help E... lvis to rejuvenate from the frenzied pace of his summer tours? The 'Follow That Dream' (FTD) Collector's Label answers that question with it's 96th release - Chicago Stadium a 2-CD set containing both performances in Chicago on Oct 14th and 15th.
Let's cut to March 1, 1974 -- wild crowd hysteria and the Elvis Presley touring colossus hits Tulsa, Oklahoma -- 2001 intro, then an high-octane 'See See Rider' kicks in -- it's infectious, cutting bluesy riff sounds fabulous and there's an awesome ripping James Burton
solo ... fabulous all the way to the final Ronnie Tutt
cymbal crash. It's almost 1972 again and, 'I Got A Woman' Elvis then comments: 'Good evening! It's a real pleasure to be here in this beautiful place'. However, chat is kept to a bare minimum because it's strictly down to business and the TCB band
were never tighter than '74 after being honed on multiple live shows through the early 1970s. The Follow That Dream
release, Sold Out! 2-CD On Tour 1974
, includes an additional 1974 soundboard from June 21, Cleveland Ohio, and fantastic additional artwork and liner notes
. The hysteria surrounding the March/June tour of '74 and the story of Elvis performing at the Mabee Special Events Center is captured perfectly by Robert Frieser's sourced text and the included press reviews ...
Memphis Recording Service
is known for putting a lot of work into its high-quality releases and Memphis Recording Service: The Complete Works 1953-1955
is no exception. The label kept their promise that the overall sound quality of these recordings would be improved thanks to new remastering. Memphis Recording Service painstakingly remastered and restored
the classic Sun recordings 'using the most sophisticated technology available' according to the liner notes of the release, and you can certainly hear that on the majority of the master takes on disc one. ... All in all, Memphis Recording Service: The Complete Works 1935-1955 is an excellent release that will not only be of interest to those who missed out on A Boy from Tupelo: The Complete 1953-55 Recordings but to anyone who wants to have all of Elvis' Sun recordings collected in one place and in the best sound quality possible right now.
Forty-five years ago, only eleven days after astronaut Neil Armstrong took his famous 'one small step' on the moon, Elvis Presley took his own giant leap.
On that July 31st night in 1969, the singer stepped onto the stage of the International Hotel in Las Vegas and firmly reestablished himself as one of the world’s most dynamic performers. To commemorate the anniversary, Sony’s Follow That Dream (FTD) collectors label
for Elvis fans recently released on CD The Return To Vegas
, the earliest known recording from this concert series.
FTD's 'Elvis At American Sound Studio
' 2-CD opens a door to the remarkable 1969 Memphis recording sessions. As a stand-alone release it includes the remaining songs not originally available on the landmark FTD albums', Back In Memphis
' & 'From Elvis In Memphis
' plus an additional thirty unreleased nuggets. Akin to admiring two beautiful paintings, and discovering a third, a clever compile results in a pleasing listen which augments the stellar Memphis 1969 recording sessions trilogy with aplomb.
Sometimes living a long life has its rewards. Living to see this superb FTD album, 'I Sing All Kinds
', is surely one of them. Shorn of the intrusive post production dubs, orchestration and background harmonies of the original releases, and given some inspired sound mixing, the songs on this FTD
release are a joy to listen to. The improvement in sound and feel of the original releases is remarkable ...
The first soundboard that we have for a long, long time from the official label is a good show with some surprises. The show was recorded in Tucson, Arizona in June 1st 1976. The artwork is weak, but I have seen worse on the FTD-series. I like the design of the disc itself. The sound is very clear and loud, with all the instruments very audible, but somehow it does not give you that 'live feeling' like on Let Me Take Your Home or Holding Back The Years, for example. But let's talk about the very good content.
The cleverly titled 'Way Down in the Jungle Room
' is another Elvis session anthology from RCA/Legacy that was conceived in the style of 2013's critically acclaimed 'Elvis at Stax
'. It includes all the masters and many outtakes from the 'Jungle Room' sessions that took place from February 2-8 and October 29-30, 1976 at the 'den' of Graceland
, Elvis' home in Memphis, TN. Back then, nobody could have guessed that these sessions would become a rather sad part of music history as Elvis Presley's last studio recordings. The songs that were recorded at those sessions ended up on the albums 'From Elvis Presley Boulevard, Memphis, Tennessee
' (1976) and 'Moody Blue
' (1977), which were both still released during Elvis' lifetime.
On stage during the filming of 'Elvis: That's The Way it Is
' Elvis joked and teased the 'Sweet Inspirations' that you would bring in the Supremes, with Mahalia Jackson singing lead. He did not have to go that far, he had an ideal group in front of him (as Elvis fans know), but the person to bring in, or rather bring back was the groups founder, Cissy Houston
. Emily 'Cissy' Houston was the real killer feature of the group, certainly when listening to this CD, and she was backed by three very competent singers in Myrna Smith
, Sylvia Shemwell and Estelle Brown who managed a great mix of a gospel sound and Atlantic soul music.
How do you follow up an album like From Elvis In Memphis and the singles and follow up album that flowed from the 1969 recording sessions at Chip's Moman's Memphis American Sound Studio's? In February 1970 RCA recorded Elvis live in Las Vegas and released the classic live album, On Stage, but it was not until June of that year that Elvis re-entered a studio to cut an album proper. Elvis Country was the result, released in January 1971, it was Elvis' only real concept album and in my opinion does rate as Elvis best album. Elvis recorded country music throughout his career - from classics at Sun sessions in the Fifties to unrepentant schlock. 1971's Elvis Country isn't as famous as his 1969 landmark From Elvis In Memphis but it's one of his most consistent, thematically tight albums, showing off his voice in boundless, effortless form and taking on a set of songs he had a deep connection with.
This release and represents the first two tours of 1975, with more rarely performed songs recorded on 'soundboard' compiled for this release. Elvis' voice is clear/strong throughout and virtually NO throwaway performances. I found that by including the dialogue and one-liners, they really represent 30 tracks on this CD. 8/10 and very a worthwhile purchase.
We need a red light or something, you know, so these guys'll think they're in a whorehouse and play better', Elvis Presley jokes before a stunning take of 'It's Easy For You' on the new release Way Down in the Jungle Room, released on Friday. He needn't have worried. Long considered a fallow period in Elvis' career, the 1976 sessions on 'Way Down in the Jungle Room' - recorded when Elvis was overweight, out of shape, and overmedicated - are stunning. Cut after cut shows Elvis in powerful voice, with his peerless gift for interpreting a song undiminished.
Never before have we seen an Elvis Presley concert from the 1950's with sound. Until Now! The DVD Contains recently discovered unreleased film of Elvis performing 6 songs, including Heartbreak Hotel and Don't Be Cruel, live in Tupelo Mississippi 1956. Included we see a live performance of the elusive Long Tall Sally seen here for the first time ever.
+ Plus Bonus DVD Audio.
This is an excellent release no fan should be without it.
The 'parade' footage is good to see as it puts you in the right context with color and b&w footage. The interviews of Elvis' Parents are well worth hearing too. The afternoon show footage is wonderful and electrifying : Here is Elvis in his prime rocking and rolling in front of 11.000 people. Highly recommended.
Tupelo's Own Elvis Presley DVD Video with Sound.