Elvis Presley Reviews
Read all the latest Elvis Presley CD, DVD and Book reviews.
By Mike Hermenet | By Tygrrius | By Thomas Melin | By David Adams | By David Troedson
Elvis CD Reviews | Elvis Presley : Follow That Dream CDs | Elvis DVD Reviews | Elvis Book Reviews
A-Z Index of Elvis reviews
Though That's The Way It Is eventually became my favorite album, it had to grow on me over the years. Though often overlooked, That's The Way It Is contains some of the best songs and performances of his entire career ... this 2008 re-issue turns out to be a must-have for serious fans ... This is the definitive look at the That's The Way It Is portions of the June 1970 Nashville sessions. Plus, this edition pulls everything together in one nice package. It has improved sound quality on a number of the previously released alternate tracks.
'The Jungle Room Sessions
', the 4th volume from the Follow That Dream
label. And let it be said loud and clear from the start, that it was indeed worth the wait as this is a magnificent album and by far the best Follow That Dream release so far. The album contains all the songs recorded by Elvis in his final two studio recording sessions, which took place in the so called Jungle Room at Graceland (hence the title) on February 2-7 and on October 29-30, 1976, which were originally released on the albums From Elvis Presley Boulevard
and Moody Blue
. Sixteen complete songs plus one instrumental track plus a little, or perhaps more like a very big surprise! Of the sixteen complete tracks, thirteen are previously unreleased, alternate takes, and as such without overdubs, which in this case makes a very big difference.
When premiered in 1957, moviegoers could barely hear the dialogue due to the screaming and swooning of Elvis' frenzied fans. Now newly remastered for optimum sound and picture quality, 'Loving You
' stars a young Elvis Presley in his second feature film. This semi-autobiographical tale - which boasts some of his most outstanding performances including Teddy Bear
and Loving You
- chronicles the King's meteoric rise to super-stardom. With his unique vocal style, smoldering sensuality, and easy-going sex appeal to burn, Elvis shows us why he will live forever! This is highly recommended DVD release.
Here is a comprehensive review of the 'Elvis: The Viva Las Vegas Sessions' 3 CD Boxset (in slipcase).
Musically this album is terrific, the music is top notch as are the backing vocals. The songs are 'alive' and modern sounding - importantly they sound very good. For the most part, musically 'Where No One Stands Alone' is by far closer to what Elvis recorded than the recent 'Royal Philharmonic Orchestra' (RPO) releases ('If I Can Dream' and 'The Wonder Of You') - I think by way of example I can safely say that if you simply liked those (I loved them!!) you will LOVE this new album. And if you did not like them there is a far greater chance you will like this new release, but those that have a closed 'don't touch' Elvis' recordings attitude probably will not (because they will not even give it a go). Of course with people liking different things, not everyone is going to like a different sound, but going by the success of both 'If I Can Dream' and 'The Wonder Of You' there are obviously plenty of fans that do!
Perhaps the best part of FTD's 'Elvis Now' is that every song sounds better than it ever has before. If you love Elvis in the 1969 - 1971 era represented by this album and care about audio quality, you will be thrilled with these sound upgrades - particularly on the master takes. Kudos to FTD for much improvement in this area over the years. 'Elvis Now' is a different kind of listening experience than that of 'From Elvis In Memphis' or 'That's The Way It Is'. While those two albums are monumental, their greatness should not take away from the understated achievement that 'Elvis Now' represents.
The Memphis Recording Service (MRS), the producers of the 'Tupelo's Own Elvis Presley DVD, boldly state on the front cover that never before have we ever had live film footage (i.e., with synchronized sound) of an Elvis concert from the 50's ... until this time. Well, we certainly do now! Elvis performing 6 songs, including Heartbreak Hotel and Don't Be Cruel, live in Tupelo Mississippi 1956. Included we see a live performance of the elusive Long Tall Sally seen here for the first time ever. This is an excellent release no fan should be without it.
MRS has ingeniously coordinated licensed, professionally shot black and white newsreel footage (taken at the afternoon September 1956 Tupelo homecoming concert) with the amateur recording made of the concert (which has previously appeared on the Elvis Presley Golden Celebration LP/CD box sets) and it blows you away! Not because of the quality of the footage and audio, but because of the combination! You will hardly believe your eyes and ears!
- The DVD Audio section gives you sound quality superior to CD
- The DVD Video Section Contains both Video Film and synchronized Sound
Review of the FTD release, Back In Memphis
, by Troy Yeary. When I first heard the original 'Back In Memphis', over twenty years ago, I was surprised by my disappointment. After listening to this expanded FTD release of the album, I am surprised yet again. Not by disappointment this time, but by how much I enjoyed it.
Verdict: Two long blasts on the train whistle (highest rating).
Follow That Dream
's 'Promised Land
' completes the STAX trilogy and the 2-CD version is a welcome addition to the growing catalogue of collectors releases. The Promised Land album is indeed a classic but by including the alternate album and 'the making of' – it's now widescreen (so to speak) ... To sum up, Elvis took us on a trip to the promised land that's one hell of a ride ...
When Elvis Presley entered the studio in June 1970, he did so as a man enjoying an unexpected third-act peak. The NBC TV special
- the '68 Comeback
- his record-breaking live return in Las Vegas, and a batch of sessions at Memphis' American Sound Studio
resulting in the acclaimed From Elvis In Memphis
album had successfully reinvigorated his career after a decade of artistic and commercial decline. Elvis arrived at RCA Studio B in Nashville wearing a flamboyant black cape and carrying a lion's head walking stick. His business, though, is to reconnect with the long-lost roots of his music; to create a remarkable album, Elvis Country
. 'I was wondering', he says, 'if any of you guys would like to help me make a few phonograph records?'
Once again, with 'Elvis On Stage
', the FTD team has taken material, which was seemingly thought by many fans to be nearly perfect when last released on the main RCA/Sony label as part of their 'Legacy Edition' series in 2010, and improved it yet again. The results are arguably one of the best 'Follow That Dream Classic Album
' releases on the FTD label ever and quite possibly one of the best Elvis albums ever!!
In 1979, RCA Records producer Joan Deary
had an idea for a unique concept album. The idea was to release an album featuring Elvis' recordings stripped down to basics ... the 'Pure Elvis Sound'. Many fans had commented that Elvis' later recordings suffered from too much overdubbing or 'sweetening', often causing Elvis' vocal performances to be buried beneath lavish, often over-the-top orchestral productions. With these over-dubbed recordings in hand, Joan went back into the recording studio and the result ... 'Our Memories Of Elvis
' was born. Unfortunately, the 'Our Memories Of Elvis' series has been long out of print. But now, thanks to the good folks at Follow That Dream (FTD) Records
, Elvis' fans can stroll down memory lane once again with their release, 'Our Memories Of Elvis': Volumes 1, 2 & 3.
Can it really be true that an Elvis Presley documentary as probing and thoughtful as Thom Zimny's Elvis Presley: The Searcher
does not already exist? After decades of home video performance-film releases and docs of varying quality, this two-part, three and a half-hour film feels like a landmark, something that should be welcomed as warmly as the two Elvis books published in the 1990s by Peter Guralnick
, Last Train to Memphis and Careless Love. Chipping away calcified layers of myth and caricature to address the psychology behind Presley's career, its seriousness and sensitivity is no surprise to those who've followed the series of documentaries Zimny has been making about Bruce Springsteen
. Sure to fare well when it bows April 14 on HBO, it made for a spellbinding big-screen experience at the music-rooted SXSW Film Festival.
Elvis : Return To Tupelo DVD
is a 90 minute program and a wonderful insight into the personal life and early life of Elvis Presley. The filmmakers really brought home the conservatism of 'the' America that was in place at the time. The split between the races and the lingering post World War II poverty was all happening at the time. Elvis somehow got through the snares of being beyond impoverished from birth possibly because he knew nothing else save for the love of his tight-knit family anchored by his mother Gladys. He had a gift and all he knew is he loved to sing and share it. The chronicle of his family's rise from being beyond poor to when they were welcomed as the town's pride and joy in his 1956 return is amazing.
He stands there in a black jump suit with gold spangles and an orange cape. When he stretches out his hands the cape forms a half sun under his outstretched arms and he looks like the true king of rock 'n' roll. He parades in front of 15,000 people and waits for the applause to wash over him and it comes as it always does and as he knows it will. After strutting from one end of the stage to the other after waiting until he feels just right, and until the audience can't wait another second, he turns to a back-up musican who hands him his acoustic guitar. With the rhythm section churning, he stands in front of the mike, holds but does not play the guitar and sings, 'That's alright mama, that's alright for you, just any way you do'.
A favorite show of mine growing up, and one that I have always wished would come out on DVD, is the short-lived 1990 ABC series Elvis-Good Rockin' Tonight. It only lasted for 10 episodes with three unaired episodes, and was later edited into one long, (4 hours) film' Elvis: The Early Years'. It follows a young Elvis from his days in Tupelo to the end of his days at Sun Records. The series stared Michael St Gerard, Jesse Dabson, Blake Gibbons, and Millie Perkins. I'm posting this here because I always hear people say 'well, they've made 'Walk The Line', and 'Ray' why has there never been a production on par with those two for Elvis? Well, there has! I've just received a bootleg of the series and I'd like to review all 13 episodes.
This 'Elvis On Tour' Deluxe | 9 CD | Hardcover Book boxset set contains 4 concerts, 'Hampton Roads', 'Virginia' (Richmond), 'Virginia' (Greensboro), and 'San Antonio' on 4 CDs, plus 4 CDs of rehearsals and 1 CD of interviews with Elvis. The concerts, with one exception ('Hampton Roads'), are Stereo. And the rehearsals, again, with one exception ('Buffalo'), are Stereo. The interviews are mono. It is true, 'Elvis On Tour' has been given a complete lack of attention by both Sony and Warner. It is indeed a shame that so few quality releases have emerged. But now thanks to Amiga with this deluxe package, this is no longer the case. Stunning Design and Production | So many photos I have not seen before - it is just a dream | A good 120 pages of photos and information | Great sound | Quality throughout.
Elvis was first exposed to Karate in 1958 after he was drafted into the Army
and stationed in Germany. His first instructor was a German shotokan
stylist named Juergen Seydel who taught Elvis at his off-base housing in Nauheim until 1958. One nice thing about the military was that you got thirty days of paid vacation (leave) each year. During his vacation in Paris
he would take private lessons with Tetsugio Murakami, one of Japan's top shotokan stylists, who would help pioneer shotokan in Europe. On one occasion he spent nine straight days studying for several hours each day with Murakami.
Touched by Love
 is an uplifting true story of love, hope and devotion and its important message is one of the most important parts of Elvis' legacy, one that deserves to be remembered forever. The end statement of the film says it all: 'To Elvis Presley for his compassion and ability to spread joy'. The movie is based on the reminisces of a real-life person, Lena Canada, a therapist in charge of handicapped girl named Karen played by future star, Diane Lane. The acting is first rate, particularly Diane Lane, whose portrayal (and transformation) of Karen from a lifeless body in her wheelchair to an animated and vibrant, talkative young girl is exceptional. The movie features performances by Elvis, Love Me Tender
and Ready Teddy
I thoroughly enjoyed Priscilla Presley
in Melbourne last night. I really did not know what to expect so I observed with interest just as much as listened and watched. To hear Priscilla talk about Elvis, how they met and their life together was truly special and as promised it was a rare insight into Priscilla's life with Elvis. While some people have the privilege of knowing Priscilla personally, the rest of us can be very pleased that we have the opportunity to spend 2 hours in this way. Priscilla as well as being a very big part of Elvis' life, and the mother of his only child, is the most authentic and closest to Elvis we have.
For many years, a release of Roustabout
in Follow That Dream
Records' (FTD) classic albums
series was an often-made request that the label finally filled in July of 2017. One of the possible reasons why this definitive edition of the soundtrack album took so long to release was the possibility of more outtakes to appear after the early 2000s discovery of the previously unreleased alternate title song 'I'm a Roustabout' that was initially released on the 2003 compilation album 2nd to None. Nothing new has turned up since then, though, and the number of surviving outtakes for Roustabout remains relatively small. To make up for the lack of material, FTD chose to expand the album with newly remixed outtake versions of all eleven master takes.
Elvis Presley: Elvis Treasures - Robert Gordon Book and CD
. For Elvis fans everywhere, Graceland has opened the doors to its extensive archives, allowing the historic documents and memorabilia within to be reproduced in facsimile, collectible form. With the expert help of archivists from Elvis Presley Enterprises, the King's life story is told through handwritten letters, press releases, movie scripts, and additional memorabilia and photographs from the Graceland archives. These historic documents, combined with the evocative text of author Robert Gordon, create a moving portrait of the legendary performer in this one-of-a-kind collector's book. Includes Elvis Speaks, an exclusive 60-Minute Audio CD of Candid Conversations with The King Of Rock 'N' Roll
. This unique interactive book also contains a 60-minute CD of interviews spanning his career, providing a formerly unavailable portrait of the King in his own words.
I must admit to finding that the 1969 'Fantasy' concert is a remarkable work that should have broad appeal - a big surprise. My initial skepticism was quickly overcome. This concert DVD should appeal to any Elvis fan that likes Elvis music to start with. With full quality normal audio, from CD, anyone can play this via their DVD player preferably then with the audio output via a stereo system. [And this is no diversion from what the format is] This DVD is well worth consideration for inclusion in your Elvis library for several reasons.
Elvis Presley: 'A Boy From Tupelo': The Complete 1953-55 Recordings is a fantastic set! The Sun masters have never sounded better. You can really hear Elvis' rhythm playing on this set, and Bill Black's bass is more defined. Some of the live material sounds like it was recorded yesterday; however, there are a few tracks that are sub par because of the age of the source tape. But, it's still cool to own the stuff and necessary for Elvis fans, especially if you're like me and think his Sun material is tops. The three CDs are the products of 1,500 hours of restoration work and nearly 200 hours of additional studio time devoted to the remastering of the material. Of special interest is the inclusion of 'I Forgot To Remember To Forget', a newly discovered track from The Louisiana Hayride on October 29, 1955 and we have it here in fantastic sound quality ... transferred from the original 'wire-recorder'.
Think of the 'A Boy From Tupelo - The Complete 1953-55 Recordings'
three-disc set as The Rise of Elvis Presley: The Granular Detail Version. The fabled personal recordings young Presley paid Sun Records $3.98 to make are here. The very early singles are all represented as well – and they've been put through a magical audio scrubber and buffed to diamond clarity. The set includes every available studio outtake, and some choice banter between takes. Naturally there are live performances, among them a rousing (and previously unissued
) 'I Forgot To Remember To Forget' from a 1955 Louisiana Hayride radio broadcast.
Let's take a look at 'Elvis Studio Sessions '56' and see how it compares to RCA's 'Young Man with the Big Beat' and Follow That Dream
Records' releases. All in all, 'Studio Sessions '56: The Complete Recordings
' is another fine release from Memphis Recording Service that can be recommended to anyone who wants all of Elvis' 1956 studio recordings collected in one place and presented in a nice way. It is also a great companion release to RCA's boxed set 'Young Man'
(and especially the 2014 European reissue that has almost the same book format as this release) as it includes material not included on that release.
There's a great moment
on CD-2 of the new FTD 'Moody Blue
' release - two fabulous rehearsals of the funky 'Way Down' start the disc - with Elvis and his band joking amid jamming and a throbbing bass guitar. Take 1 is reminiscent in feel to the funky jam intro to, 'I Got A Feeling In My Body' (Elvis At Stax
3-CD). After the first breakdown, Elvis say's: 'When Briggs fingers start bleeding' see, we know we've got it!' Ronnie Tutt's
thumping drums herald take 2A, followed by David Briggs
electric piano, and Norbert Putnam's supercool bass - fabulous! Again Ernst Jorgensen
and the Follow That Dream
team deserve credit for this magnum opus - 'Moody Blue' is the sound of the mature Elvis. Most highly recommended.
'Elvis Studio Sessions '56
' 3 CD Boxset from 'Memphis Recording Service
' is the perfect companion
to the Sony 'Young Man With The Big Beat
' 5 CD box-set. Whereas the Sony set gave us the masters, live recordings from Las Vegas and the Hirsch Youth Center, Louisiana along interviews and a very number of outtakes, MRS gives us both the masters and the complete 1956 sessions outtakes as well as the COMPLETE 'The Truth About Me' but also the outtakes for the 'The Truth About Me'.
I had the pleasure of attending 'The Wonder Of You' sold-out concerts in Melbourne two nights running, Friday, Saturday, June 9 and 10 during which I was totally enthralled for practically every minute.
It is tempting to compare these concerts with the forerunner,'Elvis The Concert' in 1999 and the slightly renamed 'Elvis Presley In Concert' in 2006 (the first being far superior to the second, much bigger screens to begin with) and while that is more than reasonable, these concerts are in many ways very different. But it was ELVIS everyone came to see and seeing him move on such a large screen was amazing.
Elvis : Peace In The Valley
(The Complete Gospel Recordings) is a long overdue triple CD release. In 1994 we were treated to the excellent double album 'Amazing Grace' and more recently to a number of good (if forgettable) mid-price gospel albums. This set is a fitting testament to an often under-appreciated segment of Elvis' incredible musical legacy. Many fans will be surprised at the breadth of tracks on this release.
Sony has done some outstanding reissues featuring Elvis, including taking some chances with the King. This 'new' Elvis Presley album includes the King singing lovely with his backing band at the time with newer overdubs by the Royal Philharmonic Orchestra. This is the second time this has been done, telling me people are digging it.
I found myself really liking the first album, 'If I Can Dream
', simply for the fact they cherrypicked some of El's best vocal performances and added simple, organic and extremely tasteful snippets of the Royal Philharmonic. The results were surprisingly good, with the string arrangements totally unobtrusive to the main instrument, being Elvis' voice. 'The Wonder of You
' focuses less on El's big, well-known hits for '70s material featuring the master soul-mining newer pop material, and, many times, far surpassing the 'original' versions. Elvis' band at the time was top-notch in the studio, so that was an important element for this to work. Well-recorded and mixed, the songs stand by themselves.
Elvis Presley In Person is set up like a diary that gives us in both words and photos what happened on that particular day in 1957. There are time period interviews and questions and answers from the press conferences Elvis gave that day. One of the things the authors chose to include are present day memories from fans and media that were actually there that day and this is a real bonus. Something that is clear from the press conferences is that only a few years after his career started Elvis knew how to handle the press. Performers today have the luxury of press agents, managers, and various other employees that either shield them from the press or do a lot of prep work. Elvis had none of this. The stories from fans are fantastic and the memories from the press all these years later put the day into proper context. The words are worth reading and would have been a great book even without all of the photos.
1976 was a turbulent year for The King of Rock n' Roll. His continually declining health coupled with a hectic touring schedule resulted in a very up and down quality to his shows throughout the year. Coming off the summer portion of his touring schedule, where he endured numerous mediocre concert reviews, Elvis kicked off his 8th tour of 1976 with a 2-night engagement at the Chicago Stadium in the 'Windy City' of Chicago, Illinois. Did the 35-day vacation between tours help E... lvis to rejuvenate from the frenzied pace of his summer tours? The 'Follow That Dream' (FTD) Collector's Label answers that question with it's 96th release - Chicago Stadium a 2-CD set containing both performances in Chicago on Oct 14th and 15th.
Let's cut to March 1, 1974 -- wild crowd hysteria and the Elvis Presley touring colossus hits Tulsa, Oklahoma -- 2001 intro, then an high-octane 'See See Rider' kicks in -- it's infectious, cutting bluesy riff sounds fabulous and there's an awesome ripping James Burton
solo ... fabulous all the way to the final Ronnie Tutt
cymbal crash. It's almost 1972 again and, 'I Got A Woman' Elvis then comments: 'Good evening! It's a real pleasure to be here in this beautiful place'. However, chat is kept to a bare minimum because it's strictly down to business and the TCB band
were never tighter than '74 after being honed on multiple live shows through the early 1970s. The Follow That Dream
release, Sold Out! 2-CD On Tour 1974
, includes an additional 1974 soundboard from June 21, Cleveland Ohio, and fantastic additional artwork and liner notes
. The hysteria surrounding the March/June tour of '74 and the story of Elvis performing at the Mabee Special Events Center is captured perfectly by Robert Frieser's sourced text and the included press reviews ...
Memphis Recording Service
is known for putting a lot of work into its high-quality releases and Memphis Recording Service: The Complete Works 1953-1955
is no exception. The label kept their promise that the overall sound quality of these recordings would be improved thanks to new remastering. Memphis Recording Service painstakingly remastered and restored
the classic Sun recordings 'using the most sophisticated technology available' according to the liner notes of the release, and you can certainly hear that on the majority of the master takes on disc one. ... All in all, Memphis Recording Service: The Complete Works 1935-1955 is an excellent release that will not only be of interest to those who missed out on A Boy from Tupelo: The Complete 1953-55 Recordings but to anyone who wants to have all of Elvis' Sun recordings collected in one place and in the best sound quality possible right now.
Experiencing relatively complete shows like this one, when Elvis was in top form, means a lot to me. This is FTD's best concert release to date
, and I'll be enjoying this show for years to come. Sit back and enjoy Elvis' August 13 Dinner Show, the sixth and final show that RCA recorded for That's The Way It Is
FTD's 'Elvis At American Sound Studio
' 2-CD opens a door to the remarkable 1969 Memphis recording sessions. As a stand-alone release it includes the remaining songs not originally available on the landmark FTD albums', Back In Memphis
' & 'From Elvis In Memphis
' plus an additional thirty unreleased nuggets. Akin to admiring two beautiful paintings, and discovering a third, a clever compile results in a pleasing listen which augments the stellar Memphis 1969 recording sessions trilogy with aplomb.
Sometimes living a long life has its rewards. Living to see this superb FTD album, 'I Sing All Kinds
', is surely one of them. Shorn of the intrusive post production dubs, orchestration and background harmonies of the original releases, and given some inspired sound mixing, the songs on this FTD
release are a joy to listen to. The improvement in sound and feel of the original releases is remarkable ...
The first soundboard that we have for a long, long time from the official label is a good show with some surprises. The show was recorded in Tucson, Arizona in June 1st 1976. The artwork is weak, but I have seen worse on the FTD-series. I like the design of the disc itself. The sound is very clear and loud, with all the instruments very audible, but somehow it does not give you that 'live feeling' like on Let Me Take Your Home or Holding Back The Years, for example. But let's talk about the very good content.
The cleverly titled 'Way Down in the Jungle Room
' is another Elvis session anthology from RCA/Legacy that was conceived in the style of 2013's critically acclaimed 'Elvis at Stax
'. It includes all the masters and many outtakes from the 'Jungle Room' sessions that took place from February 2-8 and October 29-30, 1976 at the 'den' of Graceland
, Elvis' home in Memphis, TN. Back then, nobody could have guessed that these sessions would become a rather sad part of music history as Elvis Presley's last studio recordings. The songs that were recorded at those sessions ended up on the albums 'From Elvis Presley Boulevard, Memphis, Tennessee
' (1976) and 'Moody Blue
' (1977), which were both still released during Elvis' lifetime.
Good Times marked the second album released from Elvis' 1973 sessions at Stax studio in Memphis. This version from the Follow That Dream collectors label includes all ten tracks from the original album and thirty-seven additional tracks of alternate takes and undubbed masters. FTD's Classic Album series
serves as the best possible format for this album, with sound quality in most cases as good or better than previous releases. FTD's version of Good Times
turns out to be a fine upgrade of the original album.
Celebrating Elvis' first motion picture - Follow That Dream
present 'Love Me Tender
' in the 2-CD 7" classic soundtrack format
-- and its stunning audio and visual content is highly impressive. The sound here is warm, detailed and full on the soundtracks original EP recordings.
A Touch of Gold Lamé is a 450+ page Hardcover book by Erik Lorentzen author of the Elvis Files books and is the same size and weight (3.5kg/ 7.7 pounds) as these classic releases (i.e. HUGE) and will cover all you could want to know about Elvis and his 1957 concerts featuring the famous Gold Lame Suit. The wealth of material in this book is stunning with 420 pages of glorious photographs and articles of Elvis on tour!
On stage during the filming of 'Elvis: That's The Way it Is
' Elvis joked and teased the 'Sweet Inspirations' that you would bring in the Supremes, with Mahalia Jackson singing lead. He did not have to go that far, he had an ideal group in front of him (as Elvis fans know), but the person to bring in, or rather bring back was the groups founder, Cissy Houston
. Emily 'Cissy' Houston was the real killer feature of the group, certainly when listening to this CD, and she was backed by three very competent singers in Myrna Smith
, Sylvia Shemwell and Estelle Brown who managed a great mix of a gospel sound and Atlantic soul music.
How do you follow up an album like From Elvis In Memphis and the singles and follow up album that flowed from the 1969 recording sessions at Chip's Moman's Memphis American Sound Studio's? In February 1970 RCA recorded Elvis live in Las Vegas and released the classic live album, On Stage, but it was not until June of that year that Elvis re-entered a studio to cut an album proper. Elvis Country was the result, released in January 1971, it was Elvis' only real concept album and in my opinion does rate as Elvis best album. Elvis recorded country music throughout his career - from classics at Sun sessions in the Fifties to unrepentant schlock. 1971's Elvis Country isn't as famous as his 1969 landmark From Elvis In Memphis but it's one of his most consistent, thematically tight albums, showing off his voice in boundless, effortless form and taking on a set of songs he had a deep connection with.
This release and represents the first two tours of 1975, with more rarely performed songs recorded on 'soundboard' compiled for this release. Elvis' voice is clear/strong throughout and virtually NO throwaway performances. I found that by including the dialogue and one-liners, they really represent 30 tracks on this CD. 8/10 and very a worthwhile purchase.
We need a red light or something, you know, so these guys'll think they're in a whorehouse and play better', Elvis Presley jokes before a stunning take of 'It's Easy For You' on the new release Way Down in the Jungle Room, released on Friday. He needn't have worried. Long considered a fallow period in Elvis' career, the 1976 sessions on 'Way Down in the Jungle Room' - recorded when Elvis was overweight, out of shape, and overmedicated - are stunning. Cut after cut shows Elvis in powerful voice, with his peerless gift for interpreting a song undiminished.
When Elvis Presley entered RCA's Studio B in Nashville Tennessee on June 25th, 1961, the goal was just to record both sides of a strong June-planned single release. The last one ('I feel So Bad' / 'Wild In The Country') had been a little disappointing. It wasn't that it had performed badly on the charts (No.5) or that it had sold poorly (600.000 copies). But it broke a string of number one records, and the units sold contrasted to the almost 2 million copies of 'Are You Lonesome Tonight', the one million plus of It's Now Or Never, the 900.000 copies of 'Stuck On You' from the previous year, or the 750.000 of 'Surrender' in February 1961. All these figures weren't unnoticed by RCA, the Colonel and Elvis himself.
Where is your copy of the 'If I Can Dream': Elvis Presley With The Royal Philharmonic Orchestra'
CD? Filed away, among your current played CDs, or perhaps is it open with the disc in your CD player? After a period of it being 'left' on the shelf' after the heady times of its release nine months ago, recently I have had the album out and I have since played the CD several times, and I find I l still love this CD, with the exception of one track ('Fever' with Michael Bublé) so without any doubt for me this album has stood a good test of time, and I don't have any doubt I be able to say the same in ten years’ time!
Ever since Good Times
was released by the Follow That Dream
label two years ago I've been looking forward to Promised Land
getting the classic album
treatment as well, and earlier this month it finally arrived. After listening to the two CD's packed with alternate takes and interesting studio dialog as well as some rehearsals and undubbed masters, I can say that it was definitely worth the wait.
Nevada Nights is an excellent FTD double delight and a chance for fans to obtain these shows in the best sound. The sound features Elvis sort of somewhat up close, up front sort of between Fort Baxter and the DAE sound - listenable and warm to the ear ... A great release!. This review, originally published in 2008, we present to you again as it contains many unique songs along with dialogue from Elvis, making it an essential part of any fans collection ... This first CD features the famous opening night : August 19, 1974, where Elvis departed from the conventional opening - not starting with Also Sprach Zarathustra or See See Rider - instead opening with Big Boss Man - and including many songs he had not performed live before. Down In The Alley, Good Time Charlie's Got The Blues, I'm Leavin', Softly As I Leave You and Promised Land making this the most unique concert of the 1970s.
Elvis was in fine form on this 'Hot August Night' of the 25th of August 1969, a performance perhaps never to be beaten. For those that only read the summery of reviews, I can be quite clear, this concert is without doubt the best live recording released to-date of Elvis Presley in 1969, and is one of the best concerts Elvis Presley ever performed - both in sound quality and performance! Why? I could say, listen to it and you will agree, but I offer you an interesting fact, it was from this concert that RCA chose to use seven (7) of the tracks to make up the original 12 track 'Elvis In Person' album in 1969. This is 58% of the albums tracks. And this is from the good number of concerts recorded of which several have been released on CD by FTD. So crystal clear stereo sound and a great performance.
When it is said of Elvis' return to the stage in Las Vegas in 1969 was his 'first live performance in 8 years', this concert is the one referenced - and as a 'last' concert for so long - fittingly it was a powerhouse performance, exciting for what it was, but disappointing in that the 1960s were not full of, and known for such performances instead of just movies.
If this is ultimately Elvis' good-bye benediction, it's a testament worth hearing again and again. All you need is love. At least the hardcore Elvis fan can enjoy, for the first time ever, a complete December 31, 1976 version of 'Can't Help Falling In Love'. In the final analysis, if you do not possess a copy of this legendary Presley event, the FTD set is a reasonable, if not definitive, place to find it.
Memphis Recording Service
(MRS) released 'The Complete Louisiana Hayride Archives 1954-1956
' as a limited edition 1000 copies only double vinyl LP Record for 'Record Store Day' (RSD) April 16, 2016. The first thing that immediately strikes you with this latest package from MRS is the high-quality
that MRS releases have now become famous for. 'The Complete Louisiana Hayride Archives 1954-1956' is a gorgeous 24 page Gatefold
with many rare and unreleased photographs. It contains extensive linear notes, with informative and historical facts on Elvis' time with the Louisiana Hayride. This double LP focus' on one of the earliest parts of Elvis' career ... perhaps one of the most important parts of Elvis' career. As fine a release as the CD version was, it just can't compete with a 12 inch by 12 inch 24 page booklet!
'Legacy Records' Elvis Presley 'Record Store Day' release for 2014 was, 'Showroom Internationale', a special numbered 2 x LP deluxe gatefold (picture below) pressed on 180G vinyl and is one of the best 'RSD' offerings so far. This show was recorded on August 12, 1970 at the Dinner Show concert when Elvis was filming the documentary 'That's the Way It Is'. This is Elvis performing at an absolute peak of his vocal prowess. The sound quality on this 17-track double LP is as stellar as is the selection here making this a must-have!
Our focus today is Forty-Eight Hours To Memphis : Recorded Live On Stage In Richmond, Virginia : March 18, 1974
, one of the latest CDs from Sony's Follow That Dream Records
. The Forty-Eight Hours To Memphis title reflects that Elvis closed out his tour two days after this Richmond concert with a show in Memphis - portions of which became the 1974 album Recorded Live On Stage In Memphis.
On September 4,1972 the UK Elvis Presley fan club flocked to Las Vegas to catch a glimpse of their hero -- and were NOT disappointed! 'Destination USA
' FTD 2-CD documents Elvis' Las Vegas 1972 summer season - and for many fans it was a once-in-a-lifetime trip to see the King ...
The legendary DVD 'Elvis Behind The Image Vol. 1
' heralded a completely new era of Elvis documentaries and entails a series of first class issues, which not only revitalized the 8mm-genre, but revolutionized it. The historic material has been digitalized directly from the 8mm-reel by a new developed and highly sensitive laser scanning technique. By using this equipment it was possible to bring the previously unreleased 8mm movies on DVD in a never before known quality.
This is the review of Elvis' first concert
at the International Hotel on July 31, 1969
. It was written by Ray Connelly and originally published in the London Evening Standard August 2, 1969. Included with the review is an exciting interview with The King, again by Ray Connelly.