Elvis Presley Follow That Dream CD and Book Reviews
Read all the latest Elvis Presley FTD - Follow That Dream official collectors label CD and book reviews.
FTD (Follow That Dream), Sony BMG's Official Elvis Presley Collectors label was estabished in 1999 to serve the dedicated Elvis collector and to complement the commercial and artistic level of RCA's retail release schedule by issuing repertoire that is considered of interest to serious Elvis fans and collectors, material that is generally not part of mainstream RCA label releases to the public at large.
There are the original Collectors CD's with CDs ranging from soundboard recorded concerts (Recorded from the mixing desk in mono) to full RCA professionally recorded concerts in stereo and some great alternate take CDs - Such as The Jungle Room Sessions and Memphis Sessions etc, later FTD introduced the Elvis Classic Album Series where they release the original Elvis albums in deluxe 7" size packaging with a booklet and a usually a second CD of out takes from the same period as the recordings on the album. There is also the Movie Soundtrack Series usually released as a single CD but again in deluxe 7" packaging with booklet.
Complete list of all FTD Releases, currently available and deleted.
Read all the latest Elvis Presley CD, DVD and Book reviews.
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How do you follow up an album like From Elvis In Memphis and the singles and follow up album that flowed from the 1969 recording sessions at Chip's Moman's Memphis American Sound Studio's? In February 1970 RCA recorded Elvis live in Las Vegas and released the classic live album, On Stage, but it was not until June of that year that Elvis re-entered a studio to cut an album proper. Elvis Country was the result, released in January 1971, it was Elvis' only real concept album and in my opinion does rate as Elvis best album. Elvis recorded country music throughout his career - from classics at Sun sessions in the Fifties to unrepentant schlock. 1971's Elvis Country isn't as famous as his 1969 landmark From Elvis In Memphis but it's one of his most consistent, thematically tight albums, showing off his voice in boundless, effortless form and taking on a set of songs he had a deep connection with.
This release and represents the first two tours of 1975, with more rarely performed songs recorded on 'soundboard' compiled for this release. Elvis' voice is clear/strong throughout and virtually NO throwaway performances. I found that by including the dialogue and one-liners, they really represent 30 tracks on this CD. 8/10 and very a worthwhile purchase.
When Elvis Presley entered RCA's Studio B in Nashville Tennessee on June 25th, 1961, the goal was just to record both sides of a strong June-planned single release. The last one ('I feel So Bad' / 'Wild In The Country') had been a little disappointing. It wasn't that it had performed badly on the charts (No.5) or that it had sold poorly (600.000 copies). But it broke a string of number one records, and the units sold contrasted to the almost 2 million copies of 'Are You Lonesome Tonight', the one million plus of It's Now Or Never, the 900.000 copies of 'Stuck On You' from the previous year, or the 750.000 of 'Surrender' in February 1961. All these figures weren't unnoticed by RCA, the Colonel and Elvis himself.
Ever since Good Times
was released by the Follow That Dream
label two years ago I've been looking forward to Promised Land
getting the classic album
treatment as well, and earlier this month it finally arrived. After listening to the two CD's packed with alternate takes and interesting studio dialog as well as some rehearsals and undubbed masters, I can say that it was definitely worth the wait.
Nevada Nights is an excellent FTD double delight and a chance for fans to obtain these shows in the best sound. The sound features Elvis sort of somewhat up close, up front sort of between Fort Baxter and the DAE sound - listenable and warm to the ear ... A great release!. This review, originally published in 2008, we present to you again as it contains many unique songs along with dialogue from Elvis, making it an essential part of any fans collection ... This first CD features the famous opening night : August 19, 1974, where Elvis departed from the conventional opening - not starting with Also Sprach Zarathustra or See See Rider - instead opening with Big Boss Man - and including many songs he had not performed live before. Down In The Alley, Good Time Charlie's Got The Blues, I'm Leavin', Softly As I Leave You and Promised Land making this the most unique concert of the 1970s.
Elvis was in fine form on this 'Hot August Night' of the 25th of August 1969, a performance perhaps never to be beaten. For those that only read the summery of reviews, I can be quite clear, this concert is without doubt the best live recording released to-date of Elvis Presley in 1969, and is one of the best concerts Elvis Presley ever performed - both in sound quality and performance! Why? I could say, listen to it and you will agree, but I offer you an interesting fact, it was from this concert that RCA chose to use seven (7) of the tracks to make up the original 12 track 'Elvis In Person' album in 1969. This is 58% of the albums tracks. And this is from the good number of concerts recorded of which several have been released on CD by FTD. So crystal clear stereo sound and a great performance.
If this is ultimately Elvis' good-bye benediction, it's a testament worth hearing again and again. All you need is love. At least the hardcore Elvis fan can enjoy, for the first time ever, a complete December 31, 1976 version of 'Can't Help Falling In Love'. In the final analysis, if you do not possess a copy of this legendary Presley event, the FTD set is a reasonable, if not definitive, place to find it.
'The Jungle Room Sessions
', the 4th volume from the Follow That Dream
label. And let it be said loud and clear from the start, that it was indeed worth the wait as this is a magnificent album and by far the best Follow That Dream release so far. The album contains all the songs recorded by Elvis in his final two studio recording sessions, which took place in the so called Jungle Room at Graceland (hence the title) on February 2-7 and on October 29-30, 1976, which were originally released on the albums From Elvis Presley Boulevard
and Moody Blue
. Sixteen complete songs plus one instrumental track plus a little, or perhaps more like a very big surprise! Of the sixteen complete tracks, thirteen are previously unreleased, alternate takes, and as such without overdubs, which in this case makes a very big difference.
1976 was a turbulent year for The King of Rock n' Roll. His continually declining health coupled with a hectic touring schedule resulted in a very up and down quality to his shows throughout the year. Coming off the summer portion of his touring schedule, where he endured numerous mediocre concert reviews, Elvis kicked off his 8th tour of 1976 with a 2-night engagement at the Chicago Stadium in the 'Windy City' of Chicago, Illinois. Did the 35-day vacation between tours help E... lvis to rejuvenate from the frenzied pace of his summer tours? The 'Follow That Dream' (FTD) Collector's Label answers that question with it's 96th release - Chicago Stadium a 2-CD set containing both performances in Chicago on Oct 14th and 15th.
Our focus today is Forty-Eight Hours To Memphis : Recorded Live On Stage In Richmond, Virginia : March 18, 1974
, one of the latest CDs from Sony's Follow That Dream Records
. The Forty-Eight Hours To Memphis title reflects that Elvis closed out his tour two days after this Richmond concert with a show in Memphis - portions of which became the 1974 album Recorded Live On Stage In Memphis.
On September 4,1972 the UK Elvis Presley fan club flocked to Las Vegas to catch a glimpse of their hero -- and were NOT disappointed! 'Destination USA
' FTD 2-CD documents Elvis' Las Vegas 1972 summer season - and for many fans it was a once-in-a-lifetime trip to see the King ...
In early 1975, despite Elvis' clearly fading desire to record new material (he hadn't recorded a new studio album since 1973), Elvis managed to step up to the challenge one more time. Little did anyone within the Elvis Presley circle know that when Elvis stepped into the RCA recording studios in Hollywood, CA. on March 10, 1975, it would be the last time 'The King of Rock N' Roll' would record music in a proper studio setting. However, the results of this 3-day recording session produced arguably the most diverse album of Elvis' career - Elvis Today
and released by the Follow That Dream (FTD) Collector's Label
I never quite know what to make of Stay Away, Joe
. The first time I tried to watch the movie as a teenager in the early 1990s, I couldn't get past the non-stop party scene near the beginning. The whole thing just seemed so unbearable. Yet, over the years, I have come to love most of the five songs Elvis recorded for this film. While Elvis performed many country songs in his career, he rarely delved into 'outdoor' country songs that celebrate nature like Stay Away
(Greensleeves) and Goin' Home
In the 'Behind the scenes' section of the booklet accompanying Elvis (Fool) it states that the original LP 'is in essence an album of leftovers'. I guess the same can be said when it comes to 'Elvis Now', although to a lesser extent. But the FTD treatments of these two albums are essential, as they together include outtakes of all the non gospel and non Christmas songs Elvis recorded during the March–June 1971 Nashville sessions. Buy Elvis (Fool) : FTD Special Edition 2 CD
you won't regret it!!!
In 1979, RCA Records producer Joan Deary
had an idea for a unique concept album. The idea was to release an album featuring Elvis' recordings stripped down to basics ... the 'Pure Elvis Sound'. Many fans had commented that Elvis' later recordings suffered from too much overdubbing or 'sweetening', often causing Elvis' vocal performances to be buried beneath lavish, often over-the-top orchestral productions. With these over-dubbed recordings in hand, Joan went back into the recording studio and the result ... 'Our Memories Of Elvis
' was born. Unfortunately, the 'Our Memories Of Elvis' series has been long out of print. But now, thanks to the good folks at Follow That Dream (FTD) Records
, Elvis' fans can stroll down memory lane once again with their release, 'Our Memories Of Elvis'.
Unlike Elvis' first two religious albums, His Hand In Mine
and How Great Thou Art
, his third and last one, He Touched Me
, was a mix of traditional gospel and more contemporary Christian music. Recorded in Nashville in March, May and June 1971, the recently released FTD treatment of the album opens the door to RCA's Studio B to let us experience these recording sessions first hand. It makes for a fascinating visit.
If you believe some fans, surely we've already heard enough 1969 Las Vegas concerts. Now that Live In Vegas: August 26, 1969 Dinner Show
is available from FTD, let's take a closer look at their claims.
Touching on all of the styles that shaped the one and only King – pop, R&B, country, gospel, and of course, rock and roll – Elvis at Stax chronicles some of his last truly great studio sessions. As such, it's another essential release as part of Legacy's streamlining and repackaging of his vast musical catalogue. When push came to shove, nobody took care of business quite like Elvis Presley.
I remember as a young fan first hearing Elvis As Recorded Live on Stage in Memphis
around 1984, now some 20 years later and 30 years after the actual show took place we get to hear the almost complete 70 minute show (well 69 minutes!) Still on one CD release that's almost twice the running time of the LP version!
The Impossible Dream
captures Elvis Presley at the start of his fourth Las Vegas season beginning on January 26th 1971 and marks the first time RCA/BMG/FTD have officially released live recordings from this year. Although three other soundboards have been unofficially released from the same engagement, thankfully FTD decided to issue the previously unreleased January 28th dinner show along with several bonus tracks.
'They' say 'don't judge a book by its cover, but you can with King Creole Frame by Frame
, it is a fine book and an equally fine start to the FTD
, 'Elvis In Hollywood
' book series. This release offers anyone interested in the movie a fantastic photographic and written word account. The book is hardcover, it well researched and well presented - and as the fantastic glossy cover indicates - the book is high quality throughout. The work of true Elvis fans, Erik Lorentzen
and Pål Granlund
and published by the Elvis Follow That Dream Collectors Label
treatment is Elvis Sings The Wonderful World Of Christmas
, released this month with the help of outtakes not being overdubbed in any way ... reveals a more intimate and sensitive side of the Christmas recordings that took place in Nashville during two nights in May, 1971. When released on the original album back in 1971, Felton Jarvis had just about used every trick in the book when it came to making overdubs on If I Get Home On Christmas Day
, adding strings, horns and a lot of backing vocals, creating what I like to call a 'bombastic Elvis sound'. Listening to the alternate takes, especially the early ones, you can almost be fooled into thinking it's another song, it sounds so much more intimate.
Sandwiched between Elvis' iconic return to Las Vegas in 1969, and the triumph of the 'That's The Way It Is
' documentary (1970) - 'On Stage Season
' FTD 2-CD captures Elvis in spectacular form during his live performances - and includes two complete soundboard shows in the best EVER quality from his 1970 Jan/Feb Las Vegas engagement. Follow That Dream
offer a double whammy of historic 1970 shows by including both the opening and closing shows from the Jan/Feb Vegas engagement.
Though That's The Way It Is eventually became my favorite album, it had to grow on me over the years. Though often overlooked, That's The Way It Is contains some of the best songs and performances of his entire career ... this 2008 re-issue turns out to be a must-have for serious fans ... This is the definitive look at the That's The Way It Is portions of the June 1970 Nashville sessions. Plus, this edition pulls everything together in one nice package. It has improved sound quality on a number of the previously released alternate tracks.
Taken as a whole, Elvis As Recorded At Boston Garden '71
is a strong release. Concerts probably should not be picked apart song-by-song as I have done here, as it is the overall experience that counts. Elvis more than delivers a fantastic show. This is one of many concerts where I find myself wishing that I could have somehow been there. The sound quality is impressive
, considering that it is a soundboard recording. I love how FTD tied in the album art with the Elvis As Recorded At Madison Square Garden album. The liner notes and photos by Avenell give this release a personal feel and warmth. A must-have for fellow fans of the era.
, this time Ernst is giving us a representation on soundboard of Elvis' second 1976 tour, the real bonus being that neither of these 2 shows have ever been released before.
Perhaps the best part of FTD's 'Elvis Now' is that every song sounds better than it ever has before. If you love Elvis in the 1969 - 1971 era represented by this album and care about audio quality, you will be thrilled with these sound upgrades - particularly on the master takes. Kudos to FTD for much improvement in this area over the years. 'Elvis Now' is a different kind of listening experience than that of 'From Elvis In Memphis' or 'That's The Way It Is'. While those two albums are monumental, their greatness should not take away from the understated achievement that Elvis Now represents.
Review of the FTD release, Back In Memphis
, by Troy Yeary. When I first heard the original 'Back In Memphis', over twenty years ago, I was surprised by my disappointment. After listening to this expanded FTD release of the album, I am surprised yet again. Not by disappointment this time, but by how much I enjoyed it. Verdict: Two long blasts on the train whistle (highest rating).
... If, on the other hand, you are an Elvis fan who has not been exposed to this material very much before, then you are in for a real treat. Between the two discs on this Elvis In Person Special Edition 2 CD set, you will have at least one version of every song released from this engagement thus far. Sit back, crank it up, and enjoy!
Sometimes living a long life has its rewards. Living to see this superb FTD album, 'I Sing All Kinds
', is surely one of them. Shorn of the intrusive post production dubs, orchestration and background harmonies of the original releases, and given some inspired sound mixing, the songs on this FTD
release are a joy to listen to. The improvement in sound and feel of the original releases is remarkable ...
Change Of Habit
' from FTD books
is a high quality photo book covering Elvis Presley's last feature film with over 400 pages containing over 150 unpublished photos combined with interesting articles and interviews with cast and crew. To make this book really interesting, included are twenty six pages of candids taken by fans during 1969, all great shots, showing Elvis looking so good. And then there is the bonus CD, finally housed well at the back of the book, you can actually get the disc out easily.
'That's The Way It Is
' and 'Elvis Country
' were two of the most artistic albums in Elvis' career. What makes them special, is a true concept behind the selection of the songs. 'Love Letters
' could not live up to this high standard, since it was a strange mixture of songs, that could not make it on the 'TTWII' and 'Country' releases in the first place, for reasons of available time, quality or strategy.
What we get here is the complete 'Raised On Rock
' original album, the rough mixed masters to 5 songs and the 4 instrumental tracks - what a package
!!! Obviously not much new is learned on disc 1, hearing the first 10 album tracks again - except that the SOUND on this FTD really DOES seem excellent.
FTD's 'Elvis At American Sound Studio
' 2-CD opens a door to the remarkable 1969 Memphis recording sessions. As a stand-alone release it includes the remaining songs not originally available on the landmark FTD albums', Back In Memphis
' & 'From Elvis In Memphis
' plus an additional thirty unreleased nuggets. Akin to admiring two beautiful paintings, and discovering a third, a clever compile results in a pleasing listen which augments the stellar Memphis 1969 recording sessions trilogy with aplomb.
As you can tell, most of the songs on Elvis Sings Memphis, Tennessee are top-notch recordings that deserved better than being used as B-Sides and album fillers. If you think of 1963 and 1964 as wasted years in Elvis' recording career due to the movie soundtracks, then this album may come as a revelation to you. Despite the movie tunes, Elvis was also busy cranking out great material in Nashville.
Big Boss Man represents Elvis' 18th March
- 1st April 1975 Las Vegas season. What we get is a full CD with parts of 3 shows from that season, giving us some rarely performed songs. While 5 songs have been previously released on 'Live in Las Vegas' 4 CD set, the 8 bonus songs are very nice additions to an essential CD representing a great Las Vegas season.
Despite performing more than 1,000 shows between 1969-1977, there are several concerts which stand out among Elvis fans for one reason or another. One of those concerts was a one-time only performance in Boston during the fall of 1971. For many years, this historic and rare concert made the rounds on the import release circuit in varying degrees of sound quality. But thanks to the good folks at the 'Follow That Dream' (FTD) Collector's Label, Elvis fans can now enjoy the ultimate release of this fine performance.
Big Boss Man provides us with a complete concert
(77 minutes of mostly unreleased material) plus eight bonus songs from Elvis' twelfth season in Las Vegas, 18th March - 1st April, 1975, a year that would have many highs and lows for the forty year old superstar. A valuable bonus inclusion is Elvis' only known recording of Bobby Darin's You're The Reason I'm Living - a true rarity, the song is charming and unrehearsed. The tracklisting provides a great overview of Elvis' return to live performances following a five-month absence. This CD is worth acquiring, as very few soundboards are available from this engagement. 'Big Boss Man' reveals a dedicated entertainer in strong voice doing what he loves best ... you will not be disappointed.
... For all of these reasons, and many more which I could spend all day talking about: Promised Land is now my all-time favorite Elvis album. It has taken almost 35 years to get here, but it was well worth the wait! ...
Released by the Follow That Dream label
this is an extended reprint of the book 'Elvis in Texas
' under the title 'Elvis Presley : Rockin' Across Texas'. This book comes in a bigger format than its original, has a hard cover, more pages and a better quality of paper and perfectly matches the theme; Elvis, Scotty Moore
, Bill Black
and DJ Fontana
live on stage in Texas. That's exactly what the book is all about.
Elvis Presley Live in L.A
. is a combined FTD book and CD release mostly based around Elvis' Los Angeles 11th May 1974 performances, particularly the evening show. The photos come from the Sherif Hannah collection and the soundboard contains most of Elvis' 11th May 1974 evening show + 'You Can Have Her' rare performance from an audience recorded source.
Follow That Dream
's 'Promised Land
' completes the STAX trilogy and the 2-CD version is a welcome addition to the growing catalogue of collectors releases. The Promised Land album is indeed a classic but by including the alternate album and 'the making of' – it's now widescreen (so to speak) ... To sum up, Elvis took us on a trip to the promised land that's one hell of a ride ...
The Follow That Dream classic album
, or more correctly 'wannabe' classic album 'Elvis Sings Guitar Man
' containing secular masters cut in Nashville, Tennessee between May 1966 and September 1967. In order to proceed we must establish some background to the material included. Coming in the deluxe 7" packaging we've become accustomed to with FTD this release is another stunner. The sound quality is universally excellent throughout. Snap this one up, you won't be disappointed!
Good Times marked the second album released from Elvis' 1973 sessions at Stax studio in Memphis. This version from the Follow That Dream collectors label includes all ten tracks from the original album and thirty-seven additional tracks of alternate takes and undubbed masters. FTD's Classic Album series
serves as the best possible format for this album, with sound quality in most cases as good or better than previous releases. FTD's version of Good Times
turns out to be a fine upgrade of the original album.
There's a great moment
on CD-2 of the new FTD 'Moody Blue
' release - two fabulous rehearsals of the funky 'Way Down' start the disc - with Elvis and his band joking amid jamming and a throbbing bass guitar. Take 1 is reminiscent in feel to the funky jam intro to, 'I Got A Feeling In My Body' (Elvis At Stax
3-CD). After the first breakdown, Elvis say's: 'When Briggs fingers start bleeding' see, we know we've got it!' Ronnie Tutt's
thumping drums herald take 2A, followed by David Briggs
electric piano, and Norbert Putnam's supercool bass - fabulous! Again Ernst Jorgensen
and the Follow That Dream
team deserve credit for this magnum opus - 'Moody Blue' is the sound of the mature Elvis. Most highly recommended.
Celebrating Elvis's first motion picture - Follow That Dream
present 'Love Me Tender
' in the 2-CD 7" classic soundtrack format
-- and its stunning audio and visual content is highly impressive. The sound here is warm, detailed and full on the soundtracks original EP recordings.
A look at Elvis' Guitar Man Sessions with Jerry Reed. Jerry Reed immediately took over the session
, you can hear it from the first notes of the first take - Reed is coaching the musicians, encouraging them, egging them on, with Felton happy just to be presiding over some thing that is actually happening. There is a bright, shimmering surface to the music different in many respects from anything Elvis has ever recorded before but providing, at the same time, the kind of churning, driving rhythm that has characterized Elvis' music from the first. There is not the slightest question of Elvis' engagement. There is no self-deprecation, there is no wisecracking; all of the singer's attention is focused on the music. Completely updated
Experiencing relatively complete shows like this one, when Elvis was in top form, means a lot to me. This is FTD's best concert release to date
, and I'll be enjoying this show for years to come. Sit back and enjoy Elvis' August 13 Dinner Show, the sixth and final show that RCA recorded for That's The Way It Is
With I'll Remember You
, FTD finally gives us a brand 'new' show from February 3, 1973 Midnight Show in Las Vegas. Before the release, incorrect 'rumours' were going around that this would be the Dinner Show of the same date, that was already released way back on the Fort Baxter's It's a Matter Of Time
CD release in 1993!
Forty-five years ago, only eleven days after astronaut Neil Armstrong took his famous 'one small step' on the moon, Elvis Presley took his own giant leap.
On that July 31st night in 1969, the singer stepped onto the stage of the International Hotel in Las Vegas and firmly reestablished himself as one of the world’s most dynamic performers. To commemorate the anniversary, Sony’s Follow That Dream (FTD) collectors label
for Elvis fans recently released on CD The Return To Vegas
, the earliest known recording from this concert series.
Sounding almost like a multi-track recording, what's intriguing here is the FTD team seem to have sourced exceptional sound quality, with in particular the Tulsa show continuing to surprise with defined bass and instrument clarity ... [The upshot is the [Tulsa] show's mix is VERY balanced, belonging in the very top echelons of soundboard releases.] All things considered SOLD OUT ticks all the boxes: great soundboard sound - compelling liner notes and artwork - and unreleased shows to boot. Hans, Robert, Jan Eliasson at Audio Planet, and the FTD team deserve Much praise for this most excellent FTD release ...
Immediately on hearing the first song I played [I started with disc 2] from the 'A Boy From Tupelo' set, [Harbor Lights] I just instantly felt - knew - I was hearing something for the first time, something very GOOD. Updated
with more thoughts
after continued listening, along with other input
, and feedback
NOW the time has come and the massive 640 pages work of love and labor, Bootleg Elvis has been released. With more than 1200 color pictures, track listings, cross-references, matrix numbers, cover/label/vinyl/sound descriptions of about 1000 records on 480+ pages, this is the most in-depth work on Elvis vinyl bootlegs ever! This book not only lists and visualizes every known Elvis bootleg record, but it also lists and shows all known variations of each record. All records are listed in several chapters, being: 7-inch Singles, 7-inch Extended Play Albums and much more. To top it off, there is an almost 65 pages description about the history of (Elvis) bootlegging up to today. There are about 70 pages of stories written by all the major bootleggers from the USA, Canada and Europe. They tell you why they made their bootlegs, how they obtained their recordings, how they got their records and sleeves made and how they managed to sell their records without being caught. All in all, this book gives you the most complete insight ever into the evolution of bootlegging Elvis. Even if you’re not a vinyl collector, this book is definitely a must-have! Preview.
Harley Payette explains why he thinks that the I'm 10,000 Years Old : Elvis Country' album 'tells us as much about the man who created it as anything he ever did'. In January 1971, RCA records slipped its latest Elvis Presley LP on the market, not two months after the previous one. That record, 'I'm 10,000 Years Old: Elvis Country', the singer's 30th of original material (excluding live collections, compilations and greatest hits sets), wasn't just another Elvis LP. It was an honest to gosh concept LP. The songs were not only linked stylistically and thematically, but all the performances were linked by splices of a song interspersed between each number. Even the cover wasn't the usual head shot of a smiling Elvis, concert pose, or movie still. In their place was a sepia toned photo of a very familiar looking young boy, Elvis Presley aged two.
Review : 48 Hours To Memphis Concert CD from FTD.
August 10, 1970. The MGM camera crew has been following Elvis around for almost a month now. This afternoon, it's time for one final rehearsal before the opening show later tonight. No camera crew allowed this time, but RCA is rolling tape in preparation for the concert recordings. Follow That Dream
Records' latest release, Stage Rehearsal
, takes us behind the scenes of this event.
When it was announced that there would be two volumes of Jailhouse Rock in the Classic Album (Movie Soundtrack) series
, I wondered how they could make four good CDs out of what was a movie with such few songs. Well after giving both discs of Volume 2 a spin, I can tell you the answer is they sure can.
Rolling Stone  gives Elvis Is Back! a whopping 4.5 stars and says 'Recorded when Presley, was 25, fresh off a. two-year military stint and musically fit. to burst, Elvis Is Back! might be the King's greatest non-compilation LP: wildly varied material, revelatory singing, impeccable stereo sound'. The best way to buy this classic album is in the form of the Official Elvis Presley Collectors Label double CD Special Edition complete with original album, all the singles recorded at the sessions in March and April 1960 and importantly multiple alternate takes where you can hear very strong alternate versions while at the same time listening to Elvis produce this important album, and the worldwide hit singles, It's Now Or Never, Stuck On You etc.
Elvis Presley's self-titled first LP is unarguably one of the most important albums in rock history. Not only is it the first album by the genre's most successful and influential figure, but it is also the first genuine smash LP of the rock era. Its success in the spring and summer of 1956 would signal that it would be the long player and not the single that would come to dominate the sixties and onwards.